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[학술저널]

1941년, 정지용과 서정주, 상이한 재능의 두 국면

  • 학술저널

1941년, 정지용과 서정주, 상이한 재능의 두 국면

『백록담』과 『화사집』의 비교 검토를 중심으로

Jung Ji Yong and Seo Jung Ju, two talents in 1941

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초록

Comparing and examining those two talents in 1941 is a big issue enough to discuss about. These two extraordinary outstanding talents both involve their own souls that struggled with ‘the fake meaning of poem’ and ‘the dew of poem’ under the rule of Japanese Imperialism which was such a unique circumstance. However, because of the aesthetic characters that evidently contrast with each other, the individual characters tend to appear more clearly when we compare them. These two talents in a same era display the aesthetics of classicism and romanticism at the same time in terms of mutual relationship rather than superiority or inferiority to the other.
Nevertheless, the year, ‘1941’ is actually the point that Jung Ji Yong completes and finishs his literature and Seo Jung Ju starts his. In this point of view, we can indicate and clarify the transition of two talents in our history of literature. And the fact that it is really hard to find the case like this transition also fulfills the significance of this study.
I have exposed the analysis of the difference between the characters of two talents in a various way. The sense of aesthetic nobility and the non-deceptive customary sense are the two main pillars. Perseverance and fascination are the contrary characters of two talents and ‘Indongcha 忍冬茶’and ‘Hashish’ are the representative images for that.
It is interesting analysis to say that the characteristics of the language of two talents imitate the figure and the music respectively. This diagnosis using Nietzsche’s intuition can be acceptable in a point of view that those two talents provide the important principle regarding to each of their formations of creative aesthetics.
Besides‘picture and music’,‘sacredness and secularism’,‘soul and body’,‘culture and chaos’,‘temperance and excess’, ‘discipline and insanity’ and so on are the manifold pair of concepts that can contrast the two talents.

목차

1. 서론
2. 텍스트의 탄생과 미학적 배경, 심미적 귀족주의와 직정적 토속주의
3. 고전주의와 낭만주의의 이미지, 인동차(忍冬茶)와 핫슈(Hashish)
4. 형상모방 언어와 음악모방 언어
5. 식물적 상상력과 동물적 상상력
6. 정물화 된 고요의 미학과 고양된 외침의 미학
7. 결론
참고문헌
Abstract

참고문헌(29)

  • 1.

    , 1983 , 윤지관 옮김

  • 2.

    , 1984 , 미당 서정주의 시에 대하여

  • 3.

    , 1986 , 정지용의 산수시와 은일의 정신 민족문화연구 19

  • 4.

    , 1987 , 정지용 연구

  • 5.

    , 1988 , 팔할이 바람

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