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Brian Friel is considered as the best living Irish dramatist. Dancing at Lughnasa(1990) is one of his most representative plays. In this play Friel makes the most of dancing and it has an important meaning and plays a major role to create dramatic effects. As a memory play, the hero Michael, recollects the memory of the five Mundy sisters, his mother and his four aunts.
The play is set in 1936, when De Valera, the first President of Ireland, was drawing up his Catholic Constitution. The Mundy sisters are living under the repressive circumstances of Catholicism. They are the victims of an oppressively Catholic ethos. Also they are suffered from the troubles caused by the political and social circumstances in the 1930s. In Act One the five sisters take part in a passionate dancing scene. The religion and circumstances can not extinguish the internal passion of the women. Their dancing means the liberation of dormant energies and it plays a role to let them find their true selves.
Dancing in this play is closely connected with Lughnasa, an Irish pagan festival. In Lughnasa, dancing is an important part. During the Lughnasa time, people dance together for several days. As Jack explains, Lughnasa has many common factors with the primitive ritual of the Ryangans in Uganda. In both ceremonies, dancing is the main activity and through it we see the release of pagan energies.
In the play Friel presents Ireland on the point of transition into a modem industrialized society just after liberation from England. Irish people had to define their identity in their own terms rather than in English terms. Through this play, Friel hints that the Irish people have to restore the positive values of their ancestors and accept the joy and energies of dancing long repressed in Lughnasa rather than hard and strict principles of Catholicism.
The play is set in 1936, when De Valera, the first President of Ireland, was drawing up his Catholic Constitution. The Mundy sisters are living under the repressive circumstances of Catholicism. They are the victims of an oppressively Catholic ethos. Also they are suffered from the troubles caused by the political and social circumstances in the 1930s. In Act One the five sisters take part in a passionate dancing scene. The religion and circumstances can not extinguish the internal passion of the women. Their dancing means the liberation of dormant energies and it plays a role to let them find their true selves.
Dancing in this play is closely connected with Lughnasa, an Irish pagan festival. In Lughnasa, dancing is an important part. During the Lughnasa time, people dance together for several days. As Jack explains, Lughnasa has many common factors with the primitive ritual of the Ryangans in Uganda. In both ceremonies, dancing is the main activity and through it we see the release of pagan energies.
In the play Friel presents Ireland on the point of transition into a modem industrialized society just after liberation from England. Irish people had to define their identity in their own terms rather than in English terms. Through this play, Friel hints that the Irish people have to restore the positive values of their ancestors and accept the joy and energies of dancing long repressed in Lughnasa rather than hard and strict principles of Catholicism.
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