지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Unlike other falk songs, the rowing song is noticeable in that it has more diversified melodic pattern in both leading and responsorial part. Lead and response is not always regular, the response appears in the middle of the leading song, moreover, the third singer(saet-sori) is involved occasionally. As it is called spontaneous harmony or heterophony.
This paper analyze the singing method and musical structure on the rowing song of the west coast, from Chu-ja island to Pyong-an province on the basis of jangdan theory of Lee, Bo-hyung. According to the jangdan theory, the metric cycle of jangdan is a collective hierarchy structure of elements of composition of melodic rhythm and named it as “a synthetic structure of jangdan rhythm”.
In rowing song, a type of synthetic structure of jangdan rhythm is fundamentally repeated. We meet with everywhere in lead and response form. Besides, the leading part takes it’s own rhythmic pattern, that causes changes in the rhythmic cycle and the layer of beat. In that case, the leading part often overlaps the responsorial part. Some rowing songs has longer lyrics in its response and same importance, being involved the third singer occasionally. It makes more complicated that the changes of cycle on a synthetic structure of jangdan rhythm and the layer of beat, moreover synthetic structure of jangdan overlapping each other.
(표삽입)
I investigated the process in which a synthetic structure of jangdan rhythm in rowing song became complicated in the course of rowing movement in that it requires simple, constant and sever working. All seamen are working in the same condition that the roll and the position of the leading part is changeable and each seaman can sing autonomously.
In the rowing song, it is characteristic of the change on synthetic structure of jangdan rhythm, the metamorphosis of the external beats, so that the synthetic structure is generated middle layered and multi-layered.
This paper analyze the singing method and musical structure on the rowing song of the west coast, from Chu-ja island to Pyong-an province on the basis of jangdan theory of Lee, Bo-hyung. According to the jangdan theory, the metric cycle of jangdan is a collective hierarchy structure of elements of composition of melodic rhythm and named it as “a synthetic structure of jangdan rhythm”.
In rowing song, a type of synthetic structure of jangdan rhythm is fundamentally repeated. We meet with everywhere in lead and response form. Besides, the leading part takes it’s own rhythmic pattern, that causes changes in the rhythmic cycle and the layer of beat. In that case, the leading part often overlaps the responsorial part. Some rowing songs has longer lyrics in its response and same importance, being involved the third singer occasionally. It makes more complicated that the changes of cycle on a synthetic structure of jangdan rhythm and the layer of beat, moreover synthetic structure of jangdan overlapping each other.
(표삽입)
I investigated the process in which a synthetic structure of jangdan rhythm in rowing song became complicated in the course of rowing movement in that it requires simple, constant and sever working. All seamen are working in the same condition that the roll and the position of the leading part is changeable and each seaman can sing autonomously.
In the rowing song, it is characteristic of the change on synthetic structure of jangdan rhythm, the metamorphosis of the external beats, so that the synthetic structure is generated middle layered and multi-layered.
목차
Ⅰ. 머리말
Ⅱ. 자료의 범위와 연구 방법
Ⅲ. 가창방식
Ⅳ. 악곡구조
Ⅴ. 맺음말
〈부록악보〉
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