지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Studying the manufacture techniques of ancient Goguryeo tomb mural is not just to define and succeed traditional manufacture techniques but because it can be a clue to distinguish that from other cultural areas. It offers basic data needed to choosing the method of preservation and its material.
In this study, I would like to see Sobyuksi manufacture techniques through the 5th tomb of 5-helmet shape tomb, which hasn’t been treated. Especially I see the possibilities that lacquering would be one of method to make ancient Goguryeo tomb mural. Most papers about ancient Goguryeo tomb mural up to now from the view of art history or archeology. Even for papers about the manufacture techniques of mural paintings have treated how to paint it or used material, which means paper about Sobyuksi manufacture techniques is none. Those papers only explain about the manufacture techniques by the principle of lime film of cave paintings.
For lacquering in Northeast Asia, it was already technically completed in China 7000 years ago, and you can see it through various relics made at that times. In Korea also, you can see its fineness and splendidness from lacquer ware of B.C. 200∼300, which was unearthed in Daho-Ri, as well as from wooden props for dead king or queen’s head and feet, in the royal tomb for King Mu-nyeong of Baekje. The painting in lacquering and coloring on the bark of white birch, seen on ‘A Thousand Horses’in A Thousand Horses Tomb which was excavated about the year 600, is another good example of ancient painting with lacquering. Lacquering was not only for wood but also for porous mineral terra-cotta and stone surface. You can see lacquer coloring or vestige of lacquering on arms and war horses made of terra-cotta, at the royal tomb for first emperor of China Qin Shi Huang. Besides, you can another case on Sukhyeyoungjo Sakyamuni Gilt Stone Statue made in the southern Chinese country Yang in A.D. 546. Especially Sukhyeyoungjo Sakyamuni Gilt Stone Statue was made in the 6th century, the time of manufacturing the 5th tomb of 5-helmet shape tomb, which shows a little chance of using lacquer for the tomb.
In spite of tough environment of the ancient tomb to preserve murals, the 5th tomb of 5-helmet shape tomb has been well kept, displaying the following traits.
1. Black and color pigments are thick.
2. Black line has the same gloss as lacquered surface.
3. Murals on dewy part are clear. (Image clarity of lacquering)
4. The overall wall is coated in brown, and colors are remarkably different between left out granite and un-left part.
5. Brown adhesives are used on the joint of granite boards, and some pigment or adhesives are seen as fallen down.
6. Gold, pine stone, and jade were used, which are the most widely used materials for lacquer work.
7. Colors of some pigments are smeared, and as a slippery phlegmatic temperament, that is somewhat oily.
The above is specialties of lacquer paintings, which displays a little chances that the 5th tomb of 5-helmet shape tomb may be made by lacquering. This traits were also confirmed at Gangseo Great Tomb located in Sammyo-Ri, Gangseoguyeok, Nampo-city, North Korea. Possibly those are special traits of the third period (A.D. 550∼650) ancient Goguryeo tomb mural.
In a situation where picking sample ore is impossible, study by similar sample ore is required, as well as comparative study with murals painted directly on the surface of the stone, among existent ancient tomb mural in South Korea. This would be a clue to clarify painting manufacture techniques of ancient Northeast Asia, and would be a starting point of rational and scientific plan for preservation and management of other ancient tomb murals which were made by similar manufacture techniques.
In this study, I would like to see Sobyuksi manufacture techniques through the 5th tomb of 5-helmet shape tomb, which hasn’t been treated. Especially I see the possibilities that lacquering would be one of method to make ancient Goguryeo tomb mural. Most papers about ancient Goguryeo tomb mural up to now from the view of art history or archeology. Even for papers about the manufacture techniques of mural paintings have treated how to paint it or used material, which means paper about Sobyuksi manufacture techniques is none. Those papers only explain about the manufacture techniques by the principle of lime film of cave paintings.
For lacquering in Northeast Asia, it was already technically completed in China 7000 years ago, and you can see it through various relics made at that times. In Korea also, you can see its fineness and splendidness from lacquer ware of B.C. 200∼300, which was unearthed in Daho-Ri, as well as from wooden props for dead king or queen’s head and feet, in the royal tomb for King Mu-nyeong of Baekje. The painting in lacquering and coloring on the bark of white birch, seen on ‘A Thousand Horses’in A Thousand Horses Tomb which was excavated about the year 600, is another good example of ancient painting with lacquering. Lacquering was not only for wood but also for porous mineral terra-cotta and stone surface. You can see lacquer coloring or vestige of lacquering on arms and war horses made of terra-cotta, at the royal tomb for first emperor of China Qin Shi Huang. Besides, you can another case on Sukhyeyoungjo Sakyamuni Gilt Stone Statue made in the southern Chinese country Yang in A.D. 546. Especially Sukhyeyoungjo Sakyamuni Gilt Stone Statue was made in the 6th century, the time of manufacturing the 5th tomb of 5-helmet shape tomb, which shows a little chance of using lacquer for the tomb.
In spite of tough environment of the ancient tomb to preserve murals, the 5th tomb of 5-helmet shape tomb has been well kept, displaying the following traits.
1. Black and color pigments are thick.
2. Black line has the same gloss as lacquered surface.
3. Murals on dewy part are clear. (Image clarity of lacquering)
4. The overall wall is coated in brown, and colors are remarkably different between left out granite and un-left part.
5. Brown adhesives are used on the joint of granite boards, and some pigment or adhesives are seen as fallen down.
6. Gold, pine stone, and jade were used, which are the most widely used materials for lacquer work.
7. Colors of some pigments are smeared, and as a slippery phlegmatic temperament, that is somewhat oily.
The above is specialties of lacquer paintings, which displays a little chances that the 5th tomb of 5-helmet shape tomb may be made by lacquering. This traits were also confirmed at Gangseo Great Tomb located in Sammyo-Ri, Gangseoguyeok, Nampo-city, North Korea. Possibly those are special traits of the third period (A.D. 550∼650) ancient Goguryeo tomb mural.
In a situation where picking sample ore is impossible, study by similar sample ore is required, as well as comparative study with murals painted directly on the surface of the stone, among existent ancient tomb mural in South Korea. This would be a clue to clarify painting manufacture techniques of ancient Northeast Asia, and would be a starting point of rational and scientific plan for preservation and management of other ancient tomb murals which were made by similar manufacture techniques.
목차
Ⅰ. 서언
Ⅱ. 제작기법에 관한 연구 성과
Ⅲ. 동북아시아의 옻칠기법
Ⅳ. 옻칠기법의 적용 가능성
Ⅴ. 결론
〈Abstract〉
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
고구려 벽화고분의 類型
동북아역사논총
2009 .12
-
평양 지역 고구려 왕릉의 위치와 피장자
한국고대사연구
2017 .12
-
고구려 벽화고분의 현황과 被葬者에 대한 재검토
민족문화연구
2008 .01
-
북한 소재 고구려 고분벽화의 보존과 관리방안 연구
한국고대사연구
2004 .09
-
대구 달성고분군의 편년과 성격
야외고고학
2020 .01
-
고구려와 백제의 고분문화
고구려발해연구
2005 .09
-
6~7세기 高句麗왕릉과 百濟·新羅왕릉의 구조 비교
고구려발해연구
2008 .03
-
中國古代의 守墓制度
동양사학연구
2013 .09
-
Art Objects from Ancient Tombs
Korea Journal
1977 .04
-
高句麗 壁畵와 甘肅省 魏晋時期(敦煌 包含) 壁畵 比較 硏究
고구려발해연구
2003 .12
-
고구려 무용총 편년의 재검토
고구려발해연구
2009 .07
-
영산강유역 원형분의 출현 배경과 의미
야외고고학
2018 .01
-
壁畵天文圖를 통해서 본 高句麗의 正體性
고구려발해연구
2004 .12
-
고구려 안악3호분의 음식문화
한국식생활문화학회지
2016 .01
-
南韓內高句麗古墳의 檢討
고구려발해연구
2009 .11
-
고구려 적석총의 被葬者에 관한 재검토
한국사연구
2008 .12
-
高句麗 壁畵古墳의 銘文과 被葬者에 관한 諸問題
고구려발해연구
2010 .03
-
신라 전기 적석목곽분의 묘형과 집단복합묘군의 성격
헤리티지:역사와 과학
2017 .01
-
고구려 벽화고분의 帷帳의 설치와 기능
고구려발해연구
2012 .11
-
集安지역 高句麗 王陵의 造營
고구려발해연구
2008 .07
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0