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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Collaboration is a type of method of creation in Asian art. In the collaborated works of paintings and calligraphy more than two participants should take part in painting or calligraphy with prior information about the joint performance. The participating artists should have equal authority in the creation process.
In the Modern Period, the collaborated works of paintings and calligraphy were frequently produced by some of the best painters. Some of the previous studies offered fragmented information about companionship that was revealed in the collaboration. In this study, through research on the sociocultural aspects of this type of art, the author considered the significance of the collaborated works as art pieces which reflect the social paradigm of an era.
The main purpose of this research is to understand the inheritance of the Elegant Gathering culture, the changes in the method of the creation of art in traditional painting and calligraphy circle, and the intention and formative characteristics of the collaborated works of paintings and calligraphy, especially focusing on the period from the 1890s to 1950s in Korea.
The participants of the collaboration made efforts to succeed the tradition of the Elegant Gathering culture of the Middle Age. At the same time, they were professional painters and calligraphers from the Modern Age perspective. With that reason, the collaborated works of the paintings and calligraphy depended on attendance at the collaboration ceremony. However, later on, the attendance itself did not influence much the production of the collaborated works.
The collaborated works of the paintings and calligraphy are meaningful in the sense that the transformation of painting and calligraphy in the Modern period was reflected in them.
In the Modern Period, the collaborated works of paintings and calligraphy were frequently produced by some of the best painters. Some of the previous studies offered fragmented information about companionship that was revealed in the collaboration. In this study, through research on the sociocultural aspects of this type of art, the author considered the significance of the collaborated works as art pieces which reflect the social paradigm of an era.
The main purpose of this research is to understand the inheritance of the Elegant Gathering culture, the changes in the method of the creation of art in traditional painting and calligraphy circle, and the intention and formative characteristics of the collaborated works of paintings and calligraphy, especially focusing on the period from the 1890s to 1950s in Korea.
The participants of the collaboration made efforts to succeed the tradition of the Elegant Gathering culture of the Middle Age. At the same time, they were professional painters and calligraphers from the Modern Age perspective. With that reason, the collaborated works of the paintings and calligraphy depended on attendance at the collaboration ceremony. However, later on, the attendance itself did not influence much the production of the collaborated works.
The collaborated works of the paintings and calligraphy are meaningful in the sense that the transformation of painting and calligraphy in the Modern period was reflected in them.
목차
Ⅰ. 머리말
Ⅱ. 근대기 합작 형태의 사회문화적 배경
Ⅲ. 화면형식과 제작방식에 따른 합작품의 특징
Ⅳ. 근대기 서화합작품의 성격과 의의
Ⅴ. 맺음말
참고문헌
ABSTRACT
참고문헌 (29)
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