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This paper aims to research on Lee Si-Nul(李時訥) who served as a painter in Dangraebu(東萊府 畵員) district in the 19th century.
Lee Si-Nul's family originally came from Beokjin(碧珍) and his pseudonym(號) is Songam(松菴). He filled various military posts in Dongraebu district in the 19th century such as Pachong in Janggwancheong(將官廳 把摠); Gungigamgwan in Beolgungwancheong(別軍官廳 軍器監官); Baekchong in Jakdaecheong(作隊廳 百摠); Baechong in Sucheopcheong(守堞廳 百摠). His works are largely classified into three kinds of paintings according to the purpose and orderers, which are documentary paintings for the use of the government offices, the on-demand paintings from Japan, the paintings for appreciation from private interaction. His documentary painting which remains now is 〈Imjinjeonrando: Imjin War painting〉(壬辰戰亂圖). Most of the on-demand paintings from Japan, which bear the mark of Joseon(朝鮮) and the signature of his pseudonym, Songam, are inherited generation to generation in Japan. Among them, Songhodo(松虎圖), Eungdo(鷹圖), and the landscape of southern school style(南宗畵 山水) remain today. The subjects of the paintings for appreciation are various compared with the quantity such as Nonggawolryeongdo(農家月令圖) in the landscape style; Seowonajipdo(西園雅集圖) which applied the tradition of Gosado - a painting of an old story - in China(中國 故事圖); the paintings of the four gracious plants(Sagunja, 四君子) and grape vines drawn in black and white(Mukpododo, 墨葡萄圖) in the literary artist's style. The documentary paintings for the use of the government offices highlight regional characteristics while the paintings for appreciation strongly reflect the style in the same period like Kim Hong-Do(金弘道) and Jeong Sun's(鄭?).
This paper postulates the paintings of dispatched painters in each province from Dohwaseo, Drawing & Painting Authority in the late Joseon Dynasty and the ones dispatched to Dongraewegwan(東萊倭館) for the nexus of relationship with the Central Authority of Drawing & Painting. Then, it has examined the regional styles of paintings in the correlation between Byeon Bak(卞璞) and Byeon Gon(卞崑) who worked in Dongraebu district in the 18-19th century and the paintings in Dongraebu. Furthermore, this article has attempted to tell the distinct characteristics of Dongraebu district as a painting-making place in the respect that the private paintings for appreciation got a sense of Japanese style and the paintings in Dongraebu were related to the style and works of escort painters in Tongsinsa, a diplomatic delegation in Joseon.
Lee Si-Nul's family originally came from Beokjin(碧珍) and his pseudonym(號) is Songam(松菴). He filled various military posts in Dongraebu district in the 19th century such as Pachong in Janggwancheong(將官廳 把摠); Gungigamgwan in Beolgungwancheong(別軍官廳 軍器監官); Baekchong in Jakdaecheong(作隊廳 百摠); Baechong in Sucheopcheong(守堞廳 百摠). His works are largely classified into three kinds of paintings according to the purpose and orderers, which are documentary paintings for the use of the government offices, the on-demand paintings from Japan, the paintings for appreciation from private interaction. His documentary painting which remains now is 〈Imjinjeonrando: Imjin War painting〉(壬辰戰亂圖). Most of the on-demand paintings from Japan, which bear the mark of Joseon(朝鮮) and the signature of his pseudonym, Songam, are inherited generation to generation in Japan. Among them, Songhodo(松虎圖), Eungdo(鷹圖), and the landscape of southern school style(南宗畵 山水) remain today. The subjects of the paintings for appreciation are various compared with the quantity such as Nonggawolryeongdo(農家月令圖) in the landscape style; Seowonajipdo(西園雅集圖) which applied the tradition of Gosado - a painting of an old story - in China(中國 故事圖); the paintings of the four gracious plants(Sagunja, 四君子) and grape vines drawn in black and white(Mukpododo, 墨葡萄圖) in the literary artist's style. The documentary paintings for the use of the government offices highlight regional characteristics while the paintings for appreciation strongly reflect the style in the same period like Kim Hong-Do(金弘道) and Jeong Sun's(鄭?).
This paper postulates the paintings of dispatched painters in each province from Dohwaseo, Drawing & Painting Authority in the late Joseon Dynasty and the ones dispatched to Dongraewegwan(東萊倭館) for the nexus of relationship with the Central Authority of Drawing & Painting. Then, it has examined the regional styles of paintings in the correlation between Byeon Bak(卞璞) and Byeon Gon(卞崑) who worked in Dongraebu district in the 18-19th century and the paintings in Dongraebu. Furthermore, this article has attempted to tell the distinct characteristics of Dongraebu district as a painting-making place in the respect that the private paintings for appreciation got a sense of Japanese style and the paintings in Dongraebu were related to the style and works of escort painters in Tongsinsa, a diplomatic delegation in Joseon.
목차
Ⅰ. 머리말
Ⅱ. 송암 이시눌의 생애 복원을 위한 기초사료
Ⅲ. 회화수요층과 작품주제
Ⅳ. 이시눌 화풍에 나타나는 몇 가지 양상, 그리고 ‘회화제작지’로서의 동래의 지역성
Ⅴ. 맺음말
【Abstract】
참고문헌 (33)
참고문헌 신청
1. [학술지(정기간행물)] - 김동철 / 2003 / 倭館圖를 그린 卞璞의 대일 교류 활동과 작품들 / 한일관계사연구 19 : 47 ~ 71
2. [학술지(정기간행물)] - 김동철 / 2003 / 조선후기 동래부 吏族 밀양 박씨 집안과 그 고문서 / 古文書硏究 22 : 223 ~ 248
3. [보고서] - 김동철 / 2008 / 국역 왜인구청등록 해제. in: 國譯 倭人求請謄錄Ⅴ : 18 ~ 20
4. [학술지(정기간행물)] - 권소영 / 2003 / 육군박물관소장 ｢東萊府殉節圖｣연구 / 사서화류 특집:학예지 10 : 46 ~
5. [학술지(정기간행물)] - 구지현 / 2005 / {癸未隧사錄}에 대한 재검토- 작가와 사행록으로서의 의미를 중심으로 - / 동방학지 (131) : 261 ~ 288
2. [학술지(정기간행물)] - 김동철 / 2003 / 조선후기 동래부 吏族 밀양 박씨 집안과 그 고문서 / 古文書硏究 22 : 223 ~ 248
3. [보고서] - 김동철 / 2008 / 국역 왜인구청등록 해제. in: 國譯 倭人求請謄錄Ⅴ : 18 ~ 20
4. [학술지(정기간행물)] - 권소영 / 2003 / 육군박물관소장 ｢東萊府殉節圖｣연구 / 사서화류 특집:학예지 10 : 46 ~
5. [학술지(정기간행물)] - 구지현 / 2005 / {癸未隧사錄}에 대한 재검토- 작가와 사행록으로서의 의미를 중심으로 - / 동방학지 (131) : 261 ~ 288
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UCI(KEPA) : I410-ECN-0101-2012-911-003637159