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[학술저널]

  • 학술저널

1960~70년대 한국영화에서의 신파적 눈물과 정치

이호걸(중앙대학교)

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초록

The Shinpa has been related with many kinds of political discourse in 20th Korea. It is especially suitable to Fascism, because it erases individual and society by focusing on family, is occupied with the evolutionist view of the world, and is fascinated by irrational power.
The Park Administration took the Shinpa as the rhetoric of the fascist tyranny. It summoned the pain of national history, compared to family history. Shinpa was the main form of films in 1960-70s. It is the effect of the fascist rhetoric and evidence of the people's consent to the rhetoric.
But Shinpa was also the representative form of rejection to the fascism. Sometimes, the tears of the subaltern outlaws means both the accusation of the pain of the proletarian life and the will of nationalist practice. But, the essential potential of Shinpa reside in the lowest plate of tears. In it, we meet a pure tears and a repeated rhythm of emotion, which have could been everything. We can say that it is ligne de fuite of Shinpa.

목차

1. 서론
2. 신파란 무엇인가?
3. 신파와 정치
4. 박정희 시기 개발독재와 신파
5. 대중/다중과 신파
5. 결론
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