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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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The initial work as the novelist of Yang Sok-il is “Taxi frenzied uproar music”(1981). “The Canal”(1980) which is collected there is at the original form-like position in the birth of the full-length novel such as “End of the family chart”(1989), “Lullaby in the uterus”(1992), “Bone and Blood”(1998). But the work which did not attract attention so much by the shadow of the taxi driver thing and the masterpiece inventing one after another. I take up “The Canal” in this report and consider a physical sense of Yang Sok-il and a characteristic in the spatial representation. Therefore at first I pay attention to ‘canal’ as the topos of the literature of Korean resident in Japan and investigate a similarity and the difference in eyes for ‘canal’ of other writers. The literary starting point of Yang Sok-il is poetry. I analyze it through the attitude against the ‘language’ and the ‘body’ of characters how desire in his story is articulated in the process which Yang Sok-il converts into a novel language from poetic language. In addition, when it represent space called ‘canal’, I consider how to come to expression. This work is not only a literary characteristic of Yang Sok-il appear in the “The Canal,” a short story, will be in the process of understanding the theory of the body of Yang Sok-il is expressed as ‘Asian Body’ thereafter.
목차
1. 들어가며
2. 재일문학과 ‘운하’
3. 표현으로서의 ‘언어’와 ‘신체’
4. ‘아시아적 신체’의 신체언어
5. 나오며
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UCI(KEPA) : I410-ECN-0101-2014-910-001272168