지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2012.6
- 수록면
- 58 - 66 (9page)
이용수
초록· 키워드
오류제보하기
In the modern era, perceived as the century of culture, the pure meaning of information in various medium is becoming extinct and the distinction between media and reality being faded away. Such phenomenon is called “simulracre”. Gilles Deleuze defines “simulracre” as an event that passes by momentarily. To the modern people, the museum should be sublimated into a space that reflects not only the various surroundings but also education and should be a space that can provide diverse experiences. For museum exhibit communication, storytelling is a method that can meet the need of audience and take one step forward in educational and emotion aspect. Considering such relationship, “event” can be an evidence to build a space by establishing relations with subject and determine the meaning of space.
First, characteristics of event and requisite and the theoretical view of storytelling will be examined, followed by the analysis of event storytelling by selecting Holocaust Museum which attempted a new approach that has dealt with what is important to the Jews: ‘holocaust’. The purpose of this study is to identify how “event”, not remaining as an abstract term, is being present in Holocaust Museum with a new spatial perspective, and to provide the public with a different set of thinking and experience.
First, characteristics of event and requisite and the theoretical view of storytelling will be examined, followed by the analysis of event storytelling by selecting Holocaust Museum which attempted a new approach that has dealt with what is important to the Jews: ‘holocaust’. The purpose of this study is to identify how “event”, not remaining as an abstract term, is being present in Holocaust Museum with a new spatial perspective, and to provide the public with a different set of thinking and experience.
목차
Abstract
1. 서론
2. 이론적 고찰
3. 박물관 전시공간의 사건개념 특성
4. 사건개념을 적용한 박물관 전시의 스토리텔링 특성
5. 결론
참고문헌
참고문헌 (1)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
스토리텔링을 적용한 전시공간 특성 분석 : 박물관 사례를 중심으로
류효진
,
문정민
한국실내디자인학회 학술대회논문집
2011
.05
스토리텔링 개념을 활용한 전시 연출
김영도
,
한태우
한국엔터테인먼트산업학회논문지
2009
.09
공간 스토리텔링을 적용한 테마파크 기획 연구 : 포항 ‘연오랑세오녀 테마파크’를 중심으로
안숭범
,
최혜실
인문콘텐츠
2010
.03
스토리텔링의 이론 정립을 위한 시론 : 공간 스토리텔링으로서의 테마파크 스토리텔링
최혜실
국어국문학
2008
.09
디지털박물관 전시콘텐츠 스토리텔링 연구 : 전통문화콘텐츠박물관 전시콘텐츠 분석 사례를 중심으로
박재영
인문콘텐츠
2014
.06
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2014-610-002592615