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자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제60권 제10호
발행연도
2010.12
수록면
100 - 117 (18page)

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This thesis has three main purposes: first, will show kinds, patterns, types, expression techniques of modern korean women`s trimmings by every ten years. Second, it is to trace the effect of each decade on women`s Hanbok trimming designs. Third, it will point out factors that caused the change of modern Korean women`s Hanbok trimming design patterns. Henceforth, there comes the result of the research and analysis. Trimming design patterns of modern women`s Hanbok can be divided into three categories temporally: The first period of from 19l0s to the first half of 1950s saw that design patterns did not changed much from traditional ones. It is because there were many catastrophes such as the invasion of Japanese Empire and Korean War. The compound design had expressed people`s wish to earn many sons and babies at the end of Joseon Dynasty. But it turned to wishing luck for individuals affected by individualism and liberalism imported from the west. Realistic designs are the most frequently used and the least lines made up patterns. The second period of from the latter half of 1950s to 1970s saw that women wore their Jeogories and Chimas as suits. Screen printing technique enabled for various design patterns to come out. And the development of textile industry introduced various expression techniques such as making lace, meshing, flocking, burn-out etc cetera. The third period of 1980s saw that Hanbok became a kind of luxurious clothe as people`s living standard rose. Hanbok again came into the spotlight, Hanbok designers came forward and their individualities are respected. The characteristic expression technique of grey-dying and geometric design patterns are more frequently used for the simple and modern beauty.

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