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- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2018.12
- 수록면
- 649 - 681 (33page)
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Shakespeare’s Troilus and Cressida puts the question of value whether it is the worth intrinsic in things or it is a public estimation. The Troy in question of the play is the city of Shakespeare’s London, or the Troynovant embodying all the city ills. The city is represented as a universal wolf of the Hobbesian primitive human state preying on itself. In the warlike city of interchange and exchange of appetites, the disputants on values in both Trojan and Greek camps are wholly immersed in the emerging spirit of mercantilism, and they transform themselves to merchants despite the self-imposed heroism and their pursuit of honour. In the play the idea of chivalric honour is replaced by the concept of fame or reputation heavily colored by sensual perceptions. In the theater of market the intrinsic worth of a thing is confounded with the value of subjective estimation and opinion, which rather mirror and project the subjective wills of no limits and wolfish appetites of cannibalism.
Shakespeare is astutely aware of encroaching dangers of the universal wolf and he is critical of the market-oriented values irrespective of the intrinsic worth, since subjective evaluation is incessantly fluctuating from a place to another and from an opportunity to another floating on the stream of willful dispositions. Valuation denying an essentialism never reaches a stable and definite knowledge of a thing and hence conduces us into skepticism, if not to a nihilism. Likewise, if the essential worth hidden within is not mirrored and reflected by the light of public opinions, it seldom reveals itself to the objective acknowledgement. Shakespeare puts a true value in the third realm between the intrinsic worth and the interpersonal commerce of it in the exchange market of theater. The innate and immanent nobility and worth need emerging onto the surface of visibility and images, which is represented in the last romances by sea wanderings and sea changes.
Shakespeare is astutely aware of encroaching dangers of the universal wolf and he is critical of the market-oriented values irrespective of the intrinsic worth, since subjective evaluation is incessantly fluctuating from a place to another and from an opportunity to another floating on the stream of willful dispositions. Valuation denying an essentialism never reaches a stable and definite knowledge of a thing and hence conduces us into skepticism, if not to a nihilism. Likewise, if the essential worth hidden within is not mirrored and reflected by the light of public opinions, it seldom reveals itself to the objective acknowledgement. Shakespeare puts a true value in the third realm between the intrinsic worth and the interpersonal commerce of it in the exchange market of theater. The innate and immanent nobility and worth need emerging onto the surface of visibility and images, which is represented in the last romances by sea wanderings and sea changes.
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참고문헌 (24)
참고문헌 신청
[단행본] - Agnew, Jean-Christophe / 1998 / Worlds Apart: The Market and the Theater in Anglo-American Thought 1550-1750 / Cambridge UP
[단행본] - Appleby, Joyce Oldham / 1980 / Economic Thought and Ideology in Seventeenth-Century England / Princeton UP
[단행본] - Baldwin, T. W. / 1944 / William Shakespeare’s Small Latine & Lesse Greeke, Vols. 1-2 / U of Illinois P
[단행본] - Bevington, David / 2014 / Troilus and Cressida : 1 ~ 117
[단행본] - Bruster, Douglas / 2004 / Drama and the Market in the Age of Shakespeare / Cambridge UP
[단행본] - Appleby, Joyce Oldham / 1980 / Economic Thought and Ideology in Seventeenth-Century England / Princeton UP
[단행본] - Baldwin, T. W. / 1944 / William Shakespeare’s Small Latine & Lesse Greeke, Vols. 1-2 / U of Illinois P
[단행본] - Bevington, David / 2014 / Troilus and Cressida : 1 ~ 117
[단행본] - Bruster, Douglas / 2004 / Drama and the Market in the Age of Shakespeare / Cambridge UP
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