지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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In this paper, I analyze Dancing at Lughnasa, arguably Friel’s most popular play, as a play heavily influenced by Brechtian dramaturgy. A memory play, Dancing at Lughnasa nonetheless focuses on the fragility and fallibility of memory: at the same time it dramatizes the ontological need for memory, it problematizes the intricate relationship between personal and historical memory. A vast majority of critical studies of Brian Friel, the most celebrated contemporary Irish playwright, have placed him firmly and rather insistently in the Irish cultural and historical context. In so doing, they tend to stress the local aspect of his plays and thus to localize his dramatic contributions. This study will, I hope, help de-localize Friel’s reputation and relocate him onto a more international/transnational plane of contemporary drama.
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참고문헌 (27)
참고문헌 신청
Barthes, Roland / 2008 / The Task of Brechtian Criticism, In Theatre in Theory / Blackwell : 336 ~ 339
Benjamin, Walter / 1969 / Illuminations, In Hannah Arendt / Schocken
Bigsby, C. W. E. / 1984 / A Critical Introduction to Twentieth-Century American Drama. Vol. 2 / Cambridge UP
Boltwood, Scott / 2007 / Brian Friel, Ireland, and the North / Cambridge UP
Cave, Richard Allen / 2006 / Friel’s Dramaturgy: The Visual Dimension, In The Cambridge Companion to Brian Friel / Cambridge UP : 129 ~ 141
Benjamin, Walter / 1969 / Illuminations, In Hannah Arendt / Schocken
Bigsby, C. W. E. / 1984 / A Critical Introduction to Twentieth-Century American Drama. Vol. 2 / Cambridge UP
Boltwood, Scott / 2007 / Brian Friel, Ireland, and the North / Cambridge UP
Cave, Richard Allen / 2006 / Friel’s Dramaturgy: The Visual Dimension, In The Cambridge Companion to Brian Friel / Cambridge UP : 129 ~ 141
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