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이승호(Kyunghee University)

  • 2020.09
  • 281 - 304(24 pages)

DOI : 10.29324/jewcl.2020.9.53.281

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내서재 28

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초록·키워드 목차

The purpose of this study is to suggest you to view TV history dramas as a sort of ‘historical narrative’ and examine the historical aspects of ancient Korea and Goguryeo depicted in Chinese TV history dramas after the Northeast Project. To reveal the historical context melted in the narrative of historical dramas as a ‘faction’, it is necessary to analyze them not with ‘facts’ but with ‘historical facts’ constructed by historians as a reference. Through this, it is possible to look into in what points those works are differentiated from the historical narrative of that system.
This thesis examines Chinese dramas such as <Seolinguijeongi>, <Sudangyeongung>, and <Mumirangjeongi>, and each of them reveals a narrative structure deviating from ‘historical facts’ in different directions according to the intention of those works set on their own. In <Seolinguijeongi>, you can see the historical aspects of ‘historical facts’ descried by the Chinese media then under the great influence of the Northeast Project. Meanwhile, with <Sudangyeongung> and <Mumirangjeongi>, you can find their tendencies of reducing the existence of Goguryeo in those works as much as possible through ‘the intentional degradation’ of Goguryeo and also ‘the reduction and exclusion of the narrative.’ #영상역사학 #역사드라마 #동북공정 #연개소문 #설인귀 #Visual history #Historical dramas #Northeast project #Yeongaesomun #Seolingui

I. 서론: 역사 서술로서의 TV 드라마
II. 영상미디어와 역사학의 조우: ‘영상역사학’과 역사 왜곡 논쟁
III. 드라마로 옮겨 간 전근대 문학의 서사: <설인귀전기>(2000)
IV. 의도적 격하와 배제의 서사:<수당영웅>(2012)·<무미랑전기>(2014)
V. 결론: 고구려에 대한 서사의 두 갈래
Works Cited
Abstract

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