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논문 기본 정보

저자정보
(홍익대학교)
저널정보
한국미술연구소 미술사논단 美術史論壇 第41號
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    초록·키워드

    Dated to the early 10th century, Baoshan Tomb Nos.1 and2 are the earliest known tombs of the Liao, also known as the Khitan Empire (907-1125). These tombs are located in a family graveyard close to Baoshan Mountain near the Liao capital city, Shangjing, which is in Chifeng (now Inner Mongolia). The tomb’s occupants are unknown but believed to be members of the royal family, based on the tombs’ location, large scale, and extravagant muralsfound in the interior. Khitan people practiced a number of unique funerary customs such as aerial sepulture, and so the adoption of tomb architecture such as theBaoshan tombs has been interpreted as evidence of the Sinicization of Khitan. To that end, theChinese subject matter and painting style of the murals are also considered proof of Khitan’s aspiration to become Chinese. However, tombs showing heavy influence from Han Chinese culture from the Central Plain like Baoshantombs are rare in Khitanese society and thus it is hard to categorize such tombs and their decoration as a widespread social phenomenon. Instead, the limited scope of theBaoshan tombs’ date, location, and social status of the occupants suggests that we should view the tombs as a phenomenon limited to the upper class of the early Liao period.
    Through this new perspective, this paper examines the use of Chinese-style decorated tombs of the early Liao dynasty, and shows that Khitan nobles identified themselves as rulers of China by participating in the establishment of post-Tang culture. To understand the significance of the Baoshan tombs in upper-class Liao society, this paper focuses on the attitude of Khitan rulers toward the Han Chinese and their culture rather than on the issues of cultural identity as a background to the adoption of foreign culture. By identifying the Liao as the ruling power of the Chinese Central Plain, coequal with the Han Chinese states of the Five Dynasties, this paper argues that Baoshan tombs resulted from the adoption of the Tang legacy and blending it with their own culture by the Khitan nobles.

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      UCI(KEPA) : I410-ECN-0101-2016-650-002430669