인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
개인구독
소속 기관이 없으신 경우, 개인 정기구독을 하시면 저렴하게
논문을 무제한 열람 이용할 수 있어요.
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
피인용 0
초록·키워드
Kang So-cheon was active with his literary works from the 1930s to the 1960s. The fairy tales he published pursued subversive modern literature through the fantasy technique or inherited the spirit of traditional narrative by accepting the elements of traditional fairy tales. He has been so far evaluated as an author that tried to heal the scars of the Korean War with the “technique of dreams,” which has restricted the world of his works to the thematic dimension in assessment and resulted in prejudices about him and his works. It is because the dogmatic tendency was dominant in children’s literature.
This study set out to escape from the old fixed interpretations of his fairy tales. He published a lot of fairy tales containing the elements of traditional fairy tales, starting with 「Three Rabbit Brothers」(1952). Those works were created by ccepting or transforming the traditional narratives. JinDallae and Cheoljjuk(1953), a long fairy tale of his that the present study focused on, however, shows different aesthetics from his other works embracing the elements of traditional fairy tales. In his meta-text JinDallae and Cheoljjuk, he mimicked old novels ‘Shimcheongjeon’ and ‘Heungbujeon’ as the primary texts and reinforced his theme by copying a variety of motifs. Its aesthetics can be explained as hybrid imitation by pastiche or intertextuality.
In South Korea, (children’s) literature was placed under the influence of postmodernism in the 1990s. Considering the period when he was active and the time when JinDallae and Cheoljjuk was published, his aesthetic consciousness or his technique-based formal aesthetics was pioneering. The study will offer grounds to interpret his literary world anew by graduating from the old single evaluation of healing and overcoming through the fantasy technique at the thematic level.
This study set out to escape from the old fixed interpretations of his fairy tales. He published a lot of fairy tales containing the elements of traditional fairy tales, starting with 「Three Rabbit Brothers」(1952). Those works were created by ccepting or transforming the traditional narratives. JinDallae and Cheoljjuk(1953), a long fairy tale of his that the present study focused on, however, shows different aesthetics from his other works embracing the elements of traditional fairy tales. In his meta-text JinDallae and Cheoljjuk, he mimicked old novels ‘Shimcheongjeon’ and ‘Heungbujeon’ as the primary texts and reinforced his theme by copying a variety of motifs. Its aesthetics can be explained as hybrid imitation by pastiche or intertextuality.
In South Korea, (children’s) literature was placed under the influence of postmodernism in the 1990s. Considering the period when he was active and the time when JinDallae and Cheoljjuk was published, his aesthetic consciousness or his technique-based formal aesthetics was pioneering. The study will offer grounds to interpret his literary world anew by graduating from the old single evaluation of healing and overcoming through the fantasy technique at the thematic level.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
최근 본 자료 전체보기
UCI(KEPA) : I410-ECN-0101-2018-806-001213153
