인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록·키워드
The purpose of this paper is to analyze Daniel Quinn"s identity crisis as depicted in contemporary American writer Paul Auster"s debut novella, City of Glass, which forms a part of The New York Trilogy along with its two companions, Ghost and The Locked Room. In this novella, the protagonist Daniel Quinn, has no idea about who he truly is and feels confused about his own identity after losing his intimate family members―his wife and son. Quinn takes on a series of identities, such as William Wilson, Max Work, Henry Dark, Peter Stillman, and so on, to resolve the identity crisis he is faced with, attempting to get rid of his miserable memories. However, he still cannot tell who he is, failing to decipher his own true identity. In addition, being situated in New York City, a post-modern location, Quinn"s identity is seriously affected by the influence of chance and uncertainty. As a result, ignorant of the disappearance of Peter Stillman and the death of the senior Peter Stillman, Quinn is trapped in an endless labyrinth of identity. City of Glass reveals some autobiographical elements and is closely relevant to Paul Auster"s own personal experience. Daniel Quinn"s embarkment on a journey to solve his identity crisis can be seen as Auster"s endeavoring to handle his own identity problems. Paul Auster reveals his concerns regarding the individual"s identity in the post-modern age, expressing his worries about the identity crisis the individual is faced with nowadays. Through City of Glass, Paul Auster tells readers that there is no certain answer to the question of identity in the post-modern age.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
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UCI(KEPA) : I410-ECN-0101-2020-740-000688394