인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
피인용 0
초록·키워드
The purpose of this study is to establish the color characteristics of Richter's works from a new perspective by interpreting the colors in Gerhard Richter's paintings from the perspective of the WuWei(無爲) of Eastern philosophy. As a master of Western contemporary art, most of his works show open and dismantling characteristics, which is also a representative feature of postmodernism. This postmodernism is close to the concept of WuWei(無爲) in Eastern philosophy, and WuWei(無爲) is one of the concepts of Taoism and emphasizes dismantling, change and flexibility. In addition, neutral gray exists as a color that has an WuWei(無爲) character. The method of this study is to study literature centered on Eastern and Western philosophy and art theory books, and to analyze texts on Richter's interview articles and paintings. The subject of the study for color analysis is selected from among Richter's works that clearly show the WuWei(無爲) orientation that is Photo Painting of Blurring, abstract painting of pushing and a color chart series based on a random color arrangement. Through this study, it can be seen that Gerhard Richter's color expression, which represents the point of de-subjective, open, and ambiguous possibility, has a connection with WuWei(無爲) that has the characteristics of de-border and change. To understand the color expression in the work created by Gerhard Richter's life trajectory, substituting the Eastern philosophy of WuWei(無爲) is meaningful in that it presents a new conceptual framework for color analysis and broadens Richter's perspective on color.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
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