인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
피인용 0
초록·키워드
Walter Mosley’s Easy Rawlins Series has been criticized as following the genre conventions of hard-boiled detective novels indiscriminately. Specifically, his first novel of the series Devil in a Blue Dress has been denounced as a copy of Raymond Chandler’s well-known hard-boiled detective novel, Farewell, My Lovely. Closely examining the parallels between Farewell, My Lovely and Devil in a Blue Dress, this paper intends to verify the validity of these criticisms. This paper acknowledges that Mosley’s Devil in a Blue Dress shares such features as geographical setting, the narrative of a missing woman, and the structuring of the opening scene with Chandler’s Farewell, My Lovely. However, Devil in a Blue Dress transforms these elements, foregrounding the issue of race downplayed in Farewell, My Lovely. While the disappearance in Farewell, My Lovely is caused by the desire to climb the social ladder, “passing” is revealed as the reason of disappearance in Devil in a Blue Dress; although both novels are set in the Central Avenue of Los Angeles, Devil in a Blue Dress presents a new and revised racial topography; the opening scene of Farewell, My Lovely is depicted from white man’s point of view, whereas that of Devil in a Blue Dress is described from a black man’s perspective.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
최근 본 자료 전체보기
UCI(KEPA) : I410-151-25-02-092102601
