인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
피인용 0
초록·키워드
This paper, inspired by The Modern and Contemporary Ink Art of the Republic of Korea and the People’s Republic of China exhibition held on the 32nd anniversary of diplomatic relations between Korea and China in 2024, reflects on the development of Korean painting and art history studies in the 21st century. It also proposes future directions for East Asian art history research, expanding from traditional regional perspectives to glocal ones. As an example, the study examines Huang Binhong’s reform of Bronze Epigraphic Painting ( Jinwenruhua ) and his theory of people’s studies. Although Huang Binhong hailed from the ruling class of Chinese culture, he established a stateless cultural nationalism with anti-absolutist principles in the Anti-Manchu Revolutionary Movement in the late Qing dynasty. Afterward, from an anti-absolutist perspective, he conducted a critical study of traditional Chinese calligraphy and painting, and based on the theory of people’s studies rooted in Taoist thought, he reconstructed a new orthodoxy with pre-modern significance. Through this, he hoped to expand the universality of Chinese calligraphy and painting arts and their philosophy and extend their lifespan. Meanwhile, during this process, he continuously engaged with Western art circles and academia, actively introducing Chinese painting as people’s studies. Through this, he participated in a great international dialogue, aiming for mutual development through communication between the East and the West.
본문·목차
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