인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록·키워드
This study examines two autobiographies by the dancer Choi Seung-hee, which have received limited scholarly attention, focusing on the “story of myself” as narrated by Choi. She published two distinct versions of her autobiography: one in Japanese in Tokyo in 1936 and the other in Korean in Gyeongseong (Seoul) in 1937. An analysis of these autobiographies reveals that Choi navigated the cultural forces of imperialism and nationalism under colonial rule, adopting different modes of autobiographical writing depending on the discursive contexts in which each work was produced. Written when Choi was 25 and 26 years old, these autobiographies are not retrospective memoirs composed later in life but rather attempts to reorganize and redefine her present self at the time. Having already achieved remarkable success as a dancer, Choi employed the autobiographical form not only to record her life but also to strategically address the “rumors” that surrounded her. Notably, the two texts differ in their approaches to exposing hidden truths and rebutting or clarifying rumors, as Choi tailored her narrative to two distinct audiences: Japanese and Korean readers. The “self” she constructed for each readership was thus markedly different. This study focuses not on uncovering the objective truths of Choi’s life but on analyzing how her subjective self-representations interacted with psychological motivations and socio-cultural contexts to shape the “truth” presented in the texts.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
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UCI(KEPA) : I410-151-25-02-092315117
