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초록·키워드
In the study of the "Book of Songs", the concept of the "Liu Yi" originated from the "Liu Shi(六诗)". Later, in the history of scholarship, it developed into the theories of "San Ti(三体) " and "San Yong(三用)". From the perspective of cross-East Asian cultural studies, this article highlights issues related to the theories of "Poetry Collection" and "Observing Customs" in terms of their operability in political life. Additionally, it raises questions about the classification of "Fu(赋), Bi(比), Xing(兴)" by later scholars. It further points out that the "Guo Feng(国风)" are not necessarily poems collected by Zhou kings to observe the customs of the people during the Zhou dynasty. Instead, they were composed to observe the political aspirations of vassal states closely related to the Zhou dynasty. When the airs of a state entered the court, it could be considered a special honor, as was the case for states like Qin(秦) and Zheng(郑). The "Ya(雅)" poems were performed with the "Xia Music(夏乐)" of the Zhou people, while the "Song(颂)" were temple music and dance poems used to praise the divine virtues of ancestors. This study, against the historical backdrop of expressing aspirations through poetry in the pre-Qin era, suggests that "Fu" refers to expressing one''s aspirations through poetry in diplomatic and social settings. "Bi" refers to the need for quoted poems to match each other. "Xing" refers to using the aspirations expressed in the Book of Songs to inspire one''s own aspirations in diplomatic and social contexts.
본문·목차
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