인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
피인용 0
초록·키워드
This thesis focuses on the fact that the masks of〈The Mark of Zorro〉and〈The Bridal Mask〉 only cover half of the hero’s face, which has two effects. The symbol of resistance hides the identity of the hero, but exposes the angry facial expression of the hero against imperialism. Zorro and Gaksital are half-masked folk heroes with similar images. Despite many similarities, the heroes show a completely different way of fighting; Zorro, like The Merry Adventures of Robin Hood, borrows a narrative style that romanticizes the adventures of knights. In contrast, Gaksital shows the process by which the people on behalf of the nation are organized into ‘righteous army’ when the nation is on the verge of perishing; this difference stems from the United States’ cultural inferiority to Europe. The USA developed rapidly as white people drove Native Americans and forced ‘black people’ to migrate and use them as slaves or factory workers. Therefore, politically and economically, they want to be independent of Europe, but culturally, they have no cultural foundation and history like Greek mythology, so they chose a way of resistance that satisfies both Spaniards and indigenous peoples. Zorro is reduced to being ascribed to the myth of ‘European Sovereign Goddess’, leaving the possibility of being accepted as part of the founding myth of the United States in the absence of the myth of the Americas.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
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