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논문 기본 정보

저자정보
(Young-san University) (Chung-Ang University)
저널정보
중앙대학교 영상콘텐츠융합연구소 TECHART: Journal of Arts and Imaging Science TECHART: Journal of Arts and Imaging Science Vol.12 No.3
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    초록·키워드

    This study examines the achievements and persistent challenges of Korea's entertainment management industry through case analyses of legal disputes surrounding exclusive contracts with entertainers. Korea's entertainment industry has experienced rapid, unprecedented growth over a relatively short period. Although standard exclusive contracts have become widely adopted across management companies, certain unfair clauses still exist, often becoming focal points of legal disputes, particularly concerning personality rights protection. Following the landmark 2010 lawsuit filed by TVXQ members to invalidate their exclusive contract, shifts began to occur in the structure and content of entertainer contracts. Since then, the industry has laid the groundwork for more institutionalized growth, supported by the enactment of relevant laws, establishment of standardized contracts, and other legal frameworks. However, significant risks remain, especially in the idol-centered popular music sector. One pressing issue is tampering, where entertainers attempt to move to another agency during the contract period, posing serious threats to the survival of small- and medium-sized management companies. It is challenging for agencies to nurture idol groups and sustain the commercial success of already popular ones. The ongoing exclusive contract dispute between NewJeans and ADOR Co., Ltd. exemplifies these systemic concerns. Through such case analyses, this study identifies unresolved legal problems and structural changes within Korea’s entertainment management industry.

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