인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
피인용 0
초록·키워드
This paper examines the narrative strategies and underlying significance of two embedded stories in Dostoevsky’s The Brothers Karamazov: Grushenka’s parable of “The Onion”and Ivan’s “The Grand Inquisitor”. Focusing on the modes of narration and the responses of their respective listeners, rather than analyzing the content of these stories, this study approaches storytelling as a relational act. Both narratives are addressed to the same listener, Alyosha, and through the dynamic interaction between speaker and listener, each explores the possibility of salvation.
The analysis begins with Grushenka’s story, tracing its transformation from a mere moral parable into a spontaneous confession. The contrasting reactions of the two listeners, Alyosha and Rakitin, reflect the polarities within Grushenka herself, and the narrative of salvation is shaped differently depending on the participants in the storytelling. The paper then analyzes how Ivan’s “The Grand Inquisitor”, initially intended as an ideological argument, is inadvertently transformed into a confession through Alyosha’s intervention. Ivan’s unsuccessful attempt at storytelling underscores the inexpressibility of human existence and the inherent limitations of language. Ultimately, Dostoevsky presents storytelling, not merely as narrative, but as an existential event, realized through engagement with the other, that embodies both suffering and the potential for salvation.
The analysis begins with Grushenka’s story, tracing its transformation from a mere moral parable into a spontaneous confession. The contrasting reactions of the two listeners, Alyosha and Rakitin, reflect the polarities within Grushenka herself, and the narrative of salvation is shaped differently depending on the participants in the storytelling. The paper then analyzes how Ivan’s “The Grand Inquisitor”, initially intended as an ideological argument, is inadvertently transformed into a confession through Alyosha’s intervention. Ivan’s unsuccessful attempt at storytelling underscores the inexpressibility of human existence and the inherent limitations of language. Ultimately, Dostoevsky presents storytelling, not merely as narrative, but as an existential event, realized through engagement with the other, that embodies both suffering and the potential for salvation.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
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