인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록·키워드
Since his debut in 1963 as the first winner of the Dong-A Ilbo annual spring literary contest in the art criticism category, Oh Kwang-su (1937–) has been a prolific firstgeneration professional art critic. His writings, produced through direct interaction and sustained communication with artists in the field, hold significant value as empirical research that fills the gaps in the history of Korean contemporary art. While Oh has generally been defined as a critic of Korean modernist art—spanning from Informel to Dansaekhwa—this paper focuses on the critical consciousness regarding Oriental and Korean painting that has consistently appeared in his work since his early years.
Starting with his debut essay, “The Attitude Toward Inheriting Tradition: For the Future of Oriental Painting,” this discussion posits that Oh perceived tradition not as a fixed form or concept, but as a critical task to be reconstructed from a contemporary perspective. The study further examines how his subsequent criticism and exhibition curation influenced the Ink Wash Painting Movement of the 1980s. Through this analysis, the paper aims to demonstrate that Oh Kwang-su’s criticism contributed to exploring the formative and spiritual possibilities of ink as a medium for new-generation artists in the 1980s and 1990s, while providing a critical framework for analyzing these developments.
Starting with his debut essay, “The Attitude Toward Inheriting Tradition: For the Future of Oriental Painting,” this discussion posits that Oh perceived tradition not as a fixed form or concept, but as a critical task to be reconstructed from a contemporary perspective. The study further examines how his subsequent criticism and exhibition curation influenced the Ink Wash Painting Movement of the 1980s. Through this analysis, the paper aims to demonstrate that Oh Kwang-su’s criticism contributed to exploring the formative and spiritual possibilities of ink as a medium for new-generation artists in the 1980s and 1990s, while providing a critical framework for analyzing these developments.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
최근 본 자료 전체보기
UCI(KEPA) : I410-151-26-02-096066138