인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
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개인구독
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지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술대회자료
- 저자정보
- 발행연도
- 2018.11
- 수록면
- 267 - 291 (25page)
이용수
초록· 키워드
This study aims to investigate the perceived image of Korean man through exposure to popular Korean dramas among Russian female audience. While reaching this goal, such uncovered by other studies topics are considered, as development of Korean wave (also known as Hallyu) products’ popularity in Russia, as well as distribution and access to Korean dramas within Russian internet. While the question of Hallyu origins in Russia as in non-Asian country was approached with the help of cultural proximity and glocalization theories, in addition with data gathering, Korean dramas distribution and access part was based mainly on author’s personal field experience. Main goal of investigation was approached with the use of feminist studies about women’s use of media. Hallyu, started in 2000s from the interest towards Korean films, gradually proliferated and gained huge popularity, leading to the spread of Korean dramas - they are being widely consumed online, after being translated and shared for free within vast number of related online communities. It was found out that male images of Korean dramas, although being understood as a part of imaginary reality, become a basis for certain expectations from ‘real’ Korean men and comparison of these perceived images to the representations of Russian men in the real world. Female audience, while criticizing Russian men’s expressive masculinity, firstly were searching for and emphasizing (moderate) masculine characteristics of male protagonist in Korean dramas, attacking them if they were not ‘masculine enough’.
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목차
- Abstract
- Introduction - The rise of ‘Korean wave’
- Gender representation and Korean dramas
- Korean Wave in Russia
- ‘Lost in translation’ : approaching Korean dramas in Russia
- Female audience : the way of consuming dramas
- Comments analysis
- Discussion on questionnaires
- Conclusion
- Reference List
참고문헌
참고문헌 신청최근 본 자료
UCI(KEPA) : I410-ECN-0101-2019-070-000183274
