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초록·키워드
This study finds out the poetic meaning of Jemangmaega, a mastery poem of the Shilla period, and looks into the characteristics in the composition and expression of the work. The findings of the study are as follows:
This work consists of three strophes. The first strophe expresses the speaker’s decision and emotional experience, with its main topic; his sister’s attitude towards her own death. The middle strophe expresses the speaker’s realization and emotional experience of the transience of human life or human relationship, extending the separation of sister and brother. The last strophe expresses the speaker’s conviction of the sister’s rebirth in the Amitabha’s paradise and the expectation of the reunion of sister and brother there.
As for the composition of the work, the coherence between the middle and the last strophe is lacking. However, the poetic image of the middle strophe induces that of the last strophe, following a Buddhistic view on transience, which in turn contributes a little to its completion. This work has an organization with unity as a whole, even though its structure of development shows a lot of change.
For the expression, the tropes of the work is composed in the appropriate way to express the author’s view of world and life effectively, and the vehicles of the tropes contain Buddhistic meanings in depth.
This work consists of three strophes. The first strophe expresses the speaker’s decision and emotional experience, with its main topic; his sister’s attitude towards her own death. The middle strophe expresses the speaker’s realization and emotional experience of the transience of human life or human relationship, extending the separation of sister and brother. The last strophe expresses the speaker’s conviction of the sister’s rebirth in the Amitabha’s paradise and the expectation of the reunion of sister and brother there.
As for the composition of the work, the coherence between the middle and the last strophe is lacking. However, the poetic image of the middle strophe induces that of the last strophe, following a Buddhistic view on transience, which in turn contributes a little to its completion. This work has an organization with unity as a whole, even though its structure of development shows a lot of change.
For the expression, the tropes of the work is composed in the appropriate way to express the author’s view of world and life effectively, and the vehicles of the tropes contain Buddhistic meanings in depth.
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UCI(KEPA) : I410-ECN-0101-2009-810-017374791
