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지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
The purpose of this study is to investigate the main group of tradition in shamanic songs. The following are the detailed problems and the finding of the study.
1. The main group of tradition in shamanic songs are shamans. These shamans assume a different aspect of tradition in shamanic songs according to spiritistic shamans and hereditary shamans. As a result of the study of 〈shamanic-epic Sonnim〉, we can find many points of difference. This means that tradition in shamanic songs is closely related to shaman's type.
2. While hereditary shamans hand down their shamanic songs centering around working area(Dangolpan), spiritistic shamans hand down their shamanic songs with a specific school. Judging from the investigation of “Okugut” in Seoul, it is probable that there was a specific school in Seoul where the main group is made up of spiritistic shamans.
3. Shamans have made strict relationship with their teacher as the central figure and have handed down shamanic songs by the playbooks. But the weakening of the relationship between teachers and disciples in shamanic society has changed the tradition in shamanic songs. Also, scholars who investigate the shamanic-epic have becoming the main group of tradition in shamanic songs.
상세정보 수정요청해당 페이지 내 제목·저자·목차·페이지1. The main group of tradition in shamanic songs are shamans. These shamans assume a different aspect of tradition in shamanic songs according to spiritistic shamans and hereditary shamans. As a result of the study of 〈shamanic-epic Sonnim〉, we can find many points of difference. This means that tradition in shamanic songs is closely related to shaman's type.
2. While hereditary shamans hand down their shamanic songs centering around working area(Dangolpan), spiritistic shamans hand down their shamanic songs with a specific school. Judging from the investigation of “Okugut” in Seoul, it is probable that there was a specific school in Seoul where the main group is made up of spiritistic shamans.
3. Shamans have made strict relationship with their teacher as the central figure and have handed down shamanic songs by the playbooks. But the weakening of the relationship between teachers and disciples in shamanic society has changed the tradition in shamanic songs. Also, scholars who investigate the shamanic-epic have becoming the main group of tradition in shamanic songs.
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목차
- Ⅰ. 머리말
- Ⅱ. 한국 굿의 지역적 전개 양상과 전승 주체의 변화
- Ⅲ. 무당의 유형, 유파와 전승 주체의 변화
- Ⅳ. 무가 전승 방법의 다양성과 전승 주체의 변화
- Ⅴ. 맺음말
- [참고문헌]
참고문헌
참고문헌 신청최근 본 자료
UCI(KEPA) : I410-ECN-0101-2009-380-017641372
