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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 역사학회 역사학보 歷史學報 第224輯
- 발행연도
- 2014.12
- 수록면
- 425 - 448 (24page)
- DOI
- 10.16912/khr.2014.12.224.425
이용수
초록· 키워드
In the age of digital technology and its resultant informatization, its core source can be said to be history or historical studies. This study was intended to make clear that history is the core source in a field of cultural contents newly presented in the 21th-century information-oriented society from such a perspective.
It attempted to make an intensive examination of the relationship between history and cultural contents under the above basic premise. First of all, it introduced the concept of digital humanities much used in foreign countries and presented its relationship to cultural contents. In addition, it attempted to make a structural explanation of how fields such as orthodox history, digital humanities and cultural contents are combined with each other at the level of the general theory of history. Next, it attempted to present diverse modes of combination between fields such as history and cultural contents as four fields including storytelling, heritage, Korean wave and visual history in a broad sense.
Digital humanities and cultural contents can be said to an attempt to implement universality through specificity, speciality through popularization. It lies in the original objective of history that aims to tell the truth through facts. Therefore, history cannot encompass all fields of cultural contents but can clearly be said to the core source of creation of cultural contents.
It attempted to make an intensive examination of the relationship between history and cultural contents under the above basic premise. First of all, it introduced the concept of digital humanities much used in foreign countries and presented its relationship to cultural contents. In addition, it attempted to make a structural explanation of how fields such as orthodox history, digital humanities and cultural contents are combined with each other at the level of the general theory of history. Next, it attempted to present diverse modes of combination between fields such as history and cultural contents as four fields including storytelling, heritage, Korean wave and visual history in a broad sense.
Digital humanities and cultural contents can be said to an attempt to implement universality through specificity, speciality through popularization. It lies in the original objective of history that aims to tell the truth through facts. Therefore, history cannot encompass all fields of cultural contents but can clearly be said to the core source of creation of cultural contents.
#문화콘텐츠
#디지털인문학
#문화유산
#한류
#영상역사학
#Cultural Contents
#Digital Humanities
#Heritage
#Korean Wave
#Visual History
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목차
- Ⅰ. 머리말
- Ⅱ. 문화콘텐츠의 개념과 인문학 관련 학과의 관계
- Ⅲ. 역사학과 문화콘텐츠의 총론적 이해
- Ⅳ. 역사학과 문화콘텐츠의 각론적 이해
- Ⅴ. 맺음말
- [참고문헌]
- [Abstract]
참고문헌
참고문헌 신청최근 본 자료
UCI(KEPA) : I410-ECN-0101-2016-911-000979676
