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자료유형
학술저널
저자정보
고연희 (서울대)
저널정보
한국미술연구소 미술사논단 美術史論壇 第43號
발행연도
2016.12
수록면
7 - 30 (24page)
DOI
10.14380/AHF.2016.43.7

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초록· 키워드

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Folding screen painting of flowers without birds had been unfolded at least since royal ceremony in the early Joseon. According to the royal records of Joseon, it was produced in imported color-pigments and in a ten-panel folding screen which was the biggest painting at that time. Scholars’ poems tell us that the flowers on the folding screen painting are beautiful and rare ones which were usually raised in the chinese court garden. Since the early nineteenth century, folding screen of flowers combined with birds has been used instead of flower painting only.
Many folding screen paintings of bird with baby birds from the Joseon palace of Changdeok are extant, showing yellow baby birds usually located in the center of the each colorful paintings. Two scholars who composed essays about their wedding ceremony and paintings for decorations including the folding screen paintings of flowers and birds. One wrote that the paintings for his wedding were made after court paintings by court painters, and the other described the baby birds on the each painting of folding screen and expressed his delightful mood thanks to the baby birds. The term ‘caring with baby bird’ is used for title of paining in the Song dynasty. It means that the classic theme of baby birds had been kept in the court of Joseon and out of the court in the Joseon period.
The huge folding screen paintings of ‘Flowers’ only and of ‘Caring with baby birds’ have been made and used at the palace throughout the Joseon period, but even scholars today are not interested in these folding screens. Calling them lost ones would be for demanding interest in these paintings.

목차

Ⅰ. 머리말
Ⅱ. ‘花草屛’
Ⅲ. 引雛翎毛屛
Ⅳ. 맺음말
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