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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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This paper investigates the pre-exile poetics of one of the most internationally renowned contemporary Chinese poets―Bei Dao, who was exiled from China after the 1989 Tiananmen Student Movement. His poetry was later to be labelled ‘Misty poetry’ (Menglongshi)―emphasising polyvalent imagery and irregular syntax, it engenders a multiplicity of meanings, often leading to interpretational indeterminacy. This paper focuses on his pre-exile Misty poetry via its constituents of Mistiness, which I believe is the consequence of a double rebellion―on the one hand, against orthodox “Chineseness” (encompassing governmental control and transparent language etc.), and on the other, against traditional Chinese poetics. This rebellion explains his embarkation on an unconventional Misty poetics: against the clarity of Socialist Realism and the conventions of traditional poetics.
목차
Introduction: a Brief Account of Misty Poetry
The Critical Context of Bei Dao’s Ppre-exile Poetry
Constructing an Imagery and Linguistic Poetics: A Stylometric Approach
Lexis and Image Frequency
Linguistic Deconstruction of the Image Phrase
Bei Dao’s Pre-exile Poetry: Towards a Universalising Poetics?
【Abstract】
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UCI(KEPA) : I410-ECN-0101-2013-820-001285484