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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- The Academy of Korean Studies THE REVIEW OF KOREAN STUDIES THE REVIEW OF KOREAN STUDIES Volume 9 Number 2 (June 2006)
- 발행연도
- 2006.6
- 수록면
- 165 - 180 (16page)
이용수
초록· 키워드
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The goal of this article is to review the process of development of early modern Korean narratives. The main part of the review is the research of the literature that appeared in the 1890s and early 1900s. In the case of prose, fiction in particular, it is not a good idea to observe early modern Korean narratives from the perspective of the Western concept of the novel. The soseol, the Korean counterpart of the novel that appeared during the enlightenment period, is not exactly the same as the Western novel. It was a different genre from the Western novel.
Among the various styles of editorials, the most significant form is the narrative editorial, which is based on a story. In other words, the narrative editorial refers to a literary style of editorial written during the “enlightenment period,” which has allegorical or didactic stories. These were found in the editorial sections of newspapers or intellectual magazines, and are similar to the fiction of the enlightenment period. It can be said that when those traditional genres encountered a modern medium like the newspaper, they accepted and adopted new components of such modern style and transformed into the narrative editorial. This argument is supported by the fact that the narrative editorial, yadam and hanmun danpyeon, all share the intermixed form of a parable with a moral lesson.
In the newspapers that circulated during the 1900s, many short narratives were serialized under the heading of “soseol.” The particular form of narrative, which shares similar functional aspects with the narrative editorial but which is more oriented to the form of a narrative, is the “editorial narrative.” The editorial narrative can be found in the miscellany section of newspapers and is titled soseol. Compared to the “new novel” (sinsoseol), however, the editorial narrative is closer to the form of an editorial. In this sense, the editorial narrative is a narrative form located between the narrative editorial and the “new novel” (sinsoseol), and one which laid more emphasis on an explanation of political affairs than on the plot of a story.
Early modern Korean newspapers often carried a column “inmul gisa” (Famous People). This section provided biographical stories or anecdotes about the lives and works of historically important personages. But these articles were not pure history. Rather, they represented fictive writing based on historical events, and, as such, can be included as another form of short narrative that was popular during the enlightenment period.
Whether they selected an editorial or soseol as the medium for their writings, most writers of early modern Korean literature intended to educate the masses with easy words and expressions. The account of ongoing social and political issues in soseol is evidence of this enlightenment perspective. It also clearly illustrates that narrative and argument are not divided in early modern literature.
Various forms of short narratives are related to the sinsoseol, which represents the next stage in the development of short narratives. Among them are storytelling, questions and answers between two protagonists, and a discussion among many characters. In this sense, it can also be said that short narratives during the enlightenment period played an important role in the development of modern Korean literature. The narrative editorial and other forms of short narratives influenced the emergence not only of the “new novel” (sinsoseol) but also the yeoksa jeongi soseol (historico-biographical fiction).
Among the various styles of editorials, the most significant form is the narrative editorial, which is based on a story. In other words, the narrative editorial refers to a literary style of editorial written during the “enlightenment period,” which has allegorical or didactic stories. These were found in the editorial sections of newspapers or intellectual magazines, and are similar to the fiction of the enlightenment period. It can be said that when those traditional genres encountered a modern medium like the newspaper, they accepted and adopted new components of such modern style and transformed into the narrative editorial. This argument is supported by the fact that the narrative editorial, yadam and hanmun danpyeon, all share the intermixed form of a parable with a moral lesson.
In the newspapers that circulated during the 1900s, many short narratives were serialized under the heading of “soseol.” The particular form of narrative, which shares similar functional aspects with the narrative editorial but which is more oriented to the form of a narrative, is the “editorial narrative.” The editorial narrative can be found in the miscellany section of newspapers and is titled soseol. Compared to the “new novel” (sinsoseol), however, the editorial narrative is closer to the form of an editorial. In this sense, the editorial narrative is a narrative form located between the narrative editorial and the “new novel” (sinsoseol), and one which laid more emphasis on an explanation of political affairs than on the plot of a story.
Early modern Korean newspapers often carried a column “inmul gisa” (Famous People). This section provided biographical stories or anecdotes about the lives and works of historically important personages. But these articles were not pure history. Rather, they represented fictive writing based on historical events, and, as such, can be included as another form of short narrative that was popular during the enlightenment period.
Whether they selected an editorial or soseol as the medium for their writings, most writers of early modern Korean literature intended to educate the masses with easy words and expressions. The account of ongoing social and political issues in soseol is evidence of this enlightenment perspective. It also clearly illustrates that narrative and argument are not divided in early modern literature.
Various forms of short narratives are related to the sinsoseol, which represents the next stage in the development of short narratives. Among them are storytelling, questions and answers between two protagonists, and a discussion among many characters. In this sense, it can also be said that short narratives during the enlightenment period played an important role in the development of modern Korean literature. The narrative editorial and other forms of short narratives influenced the emergence not only of the “new novel” (sinsoseol) but also the yeoksa jeongi soseol (historico-biographical fiction).
목차
Introduction: Continuity versus Discontinuity
The Style of Early Modern Narratives
The Significance of Short Narratives in the Literary History of Korea
Conclusion
References
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