인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록·키워드
This research is trying to specialized reciprocal cross over ‘discourse’ beyond the narrative characteristic of fiction and films focusing on a storyteller, ascetic distances between a storyteller and a story, which is an important concept in the arena of literature writing. This article analyzes the discourse which is locating the interface between fiction and film as a text to substantiate, comparing Akutagawa’s <Mikan> and a film, <Tony Takitani>. These pieces are belong to different genres as well as a century-long time zone. However it is meaningful in that they have something in common with new grammar as a text of cross over comparison. That is, Akutakaya had recognized a film, an appearance of a new media, as a new arena of the modern fiction and tried to realize a filmic grammar in a fiction. On the contrary, Haruki had resurrected the power of reading a fiction from the ostracism of novel reading overflow of visual excitation. The movie, <Tony Takitany> has opened up a possibility of reading-function from visual-audio media, which Haruki had rejected to have movie version of his novel. Finally, the research is contributing to develop a concrete methodological strategy of media-mix as well as build up basic data for the future research in this area.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.