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    초록·키워드

    This study aims to analyze the structure of dialogic imagination in Kim Chun Su’s Deulim, Dostoevsky(『들림, 도스토예프스키』), through M. M. Bakhtin’s theory of duality and polyphony. Regarding Dostoevsky’s characters, Bakhtin defined their nature as dialogic relations among their world views and structures of thinking. Choosing Dostoevsky’s works as an example, Bakhtin considered the characteristic of modern novel form that embodies various values’ mixture, contradiction, conflict, and clash depending on the periods. More importantly, the voices of such characters do not merely reflect that of the author but also oppose it in some cases. According to Bakhtin, Dostoevsky aimed for a polyphonic harmony and gathering of diverse voices in his works. While Bakhtin’s explanation of Dostoevsky’s works mostly focused on the change of times upon the emergence of modern industrialization world view, Kim problematized the human being’s intrinsic contradiction regarding the good and evil and overcoming of such conflicts. In this process, Kim sought a lead for solution in Dostoevsky’s characters. He then materialized this thought by reflecting the characters’ dialogic relations in his own poetry. However, Kim subsequently faced the challenge of developing this thought not in the form of novel, but poetry. In order to overcome the limit of poetic form and to more effectively express his thought, Kim attempted three methods. For the first method, one character writes letters to other characters, as seen in the first and second chapter’s letter style poems. As seen in the third and fourth chapter’s, the second method was to build a dramatic conflict between the characters through monologue and confession, in order to dramatically represent their clashing values. the third method was methodology of alter ego to embody these characters’ diverse voices. In summary, Kim used these dialogic relations to represent the human being’s chaotic mixture of contradicting and clashing values. As such, Kim was inspired by the Dostoevsky characters’ diverse voices, representing this idea in his poems as the human being’s intrinsic contradiction and conflict and not as the change of times. In his effort to effectively illustrate this inner contradiction and conflict, Kim’s works are similar to Bakhtin’s criticism in focusing on the dialogic relation of Dostoevsky’s characters and polyphony of the diverse voices and in reflecting this thought in his own poems.

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