지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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This paper examines the role of the painter in the Philebus. I will maintain that the painter in the soul does not daydream about her future state. At the same time, the images she illustrates are not precisely the same as logoi of the scribe in the soul. This paper argues that imagination, which is the source of the agent’s hope, is essential to living a good life, i.e., the theme of the Philebus. The rational part of human beings would not account for everything they experience. The Socrates in the Philebus argues that both body and soul should work together to find appropriate pleasure in any situation. To correctly and thus truly expect future events and subsequently experience true anticipatory pleasure, an agent needs more than a rational soul, which is usually regarded as a ‘calculating machine.’ To picture her future life, it is not enough for the agent to consider cold-headedly existing resources and conditions as well as possible outcomes. Sometimes she should dream about something much bigger than what she now deems reasonable. Images provided by the painter lead an agent in the imaginary and hypothetical situation and help her experience what she would feel there. The painter’s image helps the agent desire the measured state and, eventually, the good life. While hoping for something true and therefore good with images, the agent should be able to enjoy the true (anticipatory) pleasure. The painter in the soul provides imagination so that a whole person’s rational and affective parts work together to live a good life.
목차
Abstract
1. Introduction
2. Pleasure and Intention
3. The Painter in the Soul
4. Image, Self-reflection, and the Knowledge of the Measure
5. Conclusion
Bibliography
참고문헌 (10)
참고문헌 신청
Carone, G. R. / 2004 / Calculating Machines or Leaky Jars? The Moral Psychology of Plato’s Gorgias / Oxford Studies in Ancient Philosophy 26:55~96
Delcomminette, S. / 2003 / Pleasures, Appearance, and Imagination in the Philebus / Phronesis 48(3):215~237
Dimas, P. / 2019 / Plato’s Philebus: A Philosophical Discussion / Oxford University Press :124~140
Gosling, J. / 1959 / False Pleasures : ‘Philebus’ 35c-41b / Phronesis 4(1):44~53
Frede, D. / 1985 / Rumpelstiltskin’s Pleasures : True and False Pleasures in Plato’s Philebus / Phronesis 30(2):151~180
Delcomminette, S. / 2003 / Pleasures, Appearance, and Imagination in the Philebus / Phronesis 48(3):215~237
Dimas, P. / 2019 / Plato’s Philebus: A Philosophical Discussion / Oxford University Press :124~140
Gosling, J. / 1959 / False Pleasures : ‘Philebus’ 35c-41b / Phronesis 4(1):44~53
Frede, D. / 1985 / Rumpelstiltskin’s Pleasures : True and False Pleasures in Plato’s Philebus / Phronesis 30(2):151~180
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