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자료유형
학술저널
저자정보
(Seoul National University)
저널정보
한국음운론학회 음성음운형태론연구 음성음운형태론연구 제28집 제2호
발행연도
수록면
307 - 337 (31page)

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초록· 키워드

Metrical phonology deals with conventional phonological rules that govern verse language. Hayes and MacEachern (1998) and Kiparsky (2006) demonstrate that constraint-based OT frameworks can be fruitfully applied to model the metrical phonology of quatrains, a widely used verse tradition in English. However, the application of their analyses was restricted to musical quatrains. This paper extends the partially-ranked constraint analysis of quatrains in Kiparsky (2006) to literary data, namely, the poems of Emily Dickinson. It demonstrates that with some adjustments involving the addition of a well-motivated metrical constraint, the extended analysis can successfully capture not only the typology of attested quatrain types in Dickinson’s work, but also their relative frequencies. The emerging discussion provides a linguistic perspective on how artistic innovations can emerge from a well-regulated metrical grammar.
#metrics #metrical phonology #Emily Dickinson #partially ordered constraint ranking #Optimality Theory
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  1. Abstract
  2. 1. Introduction
  3. 2. Background
  4. 3. A corpus study and an OT-analysis of Dickinson’s poems
  5. 4. Conclusion
  6. REFERENCES

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