인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 저자정보
초록·키워드
This essay proposes a religious approach to reading modern Chinese fiction. Departing from existing scholarship that seeks overt religious elements in literature, it argues that non-religious and even anti-religious texts can evoke psychological states akin to religious experiences, particularly those associated with Buddhism. To this end, it analyzes three “secular” examples from the canon of modern Chinese fiction. The first example, Lu Xun’s short story “My Old Home” (1921), instantiates this essay’s basic analytical framework, which identifies two fundamental impulses in modern Chinese fictional narrative: the impulse of representing—the mimesis of reality in a familiar past-present-future temporal progression, and the impulse of invoking, which creates a suspended temporality apart from the narrative’s natural temporal universe, and thereby allows the readers to witness something that redeems reality rather than representing it. The second example, Lao She’s short story “Soul-Slaying Spear” (1935), is written during a period when realism was criticized for its impotence in changing social reality. This story challenges this view by showing that realism’s transformative power is inherent in its impulse of invoking. The third example, The Travels of Lao Can (1903–1906), points to an indigenous provenance of the impulse of invoking, often masked by post-Literary Revolution foreign influences, which Fredric Jameson calls “the antinomies of realism.” The religious approach exemplified by these three works echoes Francisca Cho’s Buddhist theory of cinema, which argues that the medium of cinema, regardless of its content, can activate Buddhist enlightenment. Similarly, this essay reveals how the medium of language, even in the cloak of realistic mimesis, can give rise to similar experiences. Recognizing this Buddhist connection does not imply that Buddhism is the sole source of this literary phenomenon but foregrounds how Buddhism can provide new perspectives to literary criticism which is often trapped in Eurocentric views.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.