지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In「Jaeseng」which was published in the middle of the 1920s, Lee Kwang-soo described the custom of early modern Chosun by the love relations among modern young people. The situation of Chosun in the historical upheaval such as changing into modern society and the failure of the Samil Independence .Movement was adopted as the main theme of 「Jaeseng」. So most characters in 「Jaeseng」c received or were receiving modem education, and also tried to accustom themselves to modem social consciousness and custom 1hey played piano, went to concerts, went out on a date with girl students, and attended church service. However, all the modem civilization which was mentioned in 「Jaeseng」 such as piano, concerts, love affair with girls, and church service was used just as a code for proving characters' modernity without being connected to their modem social consciousness. Here we see a strange reversion. It is not that modern social consciousness has created modern style naturally but that acquirement of modern civilization has represented modern social consciousness.
This ironical situation of modern Chosun got to be closed-up by Lee Kwang-soo in「Jaeseng」 through showing us those characters' lives filled with illusion. In case of the leading characters in 「Jaeseng」, Shin Bong-goo and Kim Soon-young, even though they could feel they loved each other, they failed to express their love to each other, and it brought a tragic end as Kim Soon-young committed suicide in the end. As one of the factors for this tragic ending, it can be presented that the social situation of Chosun in 1920s was not mature enough to allow the modern style of love relationship based on the equality of man and woman. Another factor we can point out along with that is the limitation of these two leading characters' consciousness. They tried to accept' love' just as the symbol of modernism without understanding the concepts of 'love' emphasizing spiritualization and mentalization, that is, without understanding of the equality of man and woman based on modern social consciousness fully.
The unstable state mentioned above of these two characters who pursue the illusion of modernity without internalizing it is found commonly in every character in 「Jaeseng」 and magnified to the features of Chosun that stepped into the dawn of modernization. Like Shin Bong-goo who led his own life to destruction as he was attached to philanthropism of Glristianiry, Kyung-hoon who committed a murder obsessed with an illusion of nationlaism without clearly recognizing what a nation is, and Kim Soon-young who unexpectedly changed her life into a mistress from a fighter of the Samil Independence Movement, every character in 「Jaeseng」 has something in common by pursuing illusion and falsehood. With that an era and a world of Chosun in its dawn of moderniry could be established in 「Jaeseng」.
This ironical situation of modern Chosun got to be closed-up by Lee Kwang-soo in「Jaeseng」 through showing us those characters' lives filled with illusion. In case of the leading characters in 「Jaeseng」, Shin Bong-goo and Kim Soon-young, even though they could feel they loved each other, they failed to express their love to each other, and it brought a tragic end as Kim Soon-young committed suicide in the end. As one of the factors for this tragic ending, it can be presented that the social situation of Chosun in 1920s was not mature enough to allow the modern style of love relationship based on the equality of man and woman. Another factor we can point out along with that is the limitation of these two leading characters' consciousness. They tried to accept' love' just as the symbol of modernism without understanding the concepts of 'love' emphasizing spiritualization and mentalization, that is, without understanding of the equality of man and woman based on modern social consciousness fully.
The unstable state mentioned above of these two characters who pursue the illusion of modernity without internalizing it is found commonly in every character in 「Jaeseng」 and magnified to the features of Chosun that stepped into the dawn of modernization. Like Shin Bong-goo who led his own life to destruction as he was attached to philanthropism of Glristianiry, Kyung-hoon who committed a murder obsessed with an illusion of nationlaism without clearly recognizing what a nation is, and Kim Soon-young who unexpectedly changed her life into a mistress from a fighter of the Samil Independence Movement, every character in 「Jaeseng」 has something in common by pursuing illusion and falsehood. With that an era and a world of Chosun in its dawn of moderniry could be established in 「Jaeseng」.
목차
1. 서론
2. 전통적 사랑과 근대적 사랑의 충돌
3. 삶의 위안으로서의 사랑
4. 사랑의 허위, 환영의 시대
5. 결론
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
삶의 허위와 사랑의 허위 - 염상섭 ｢너희들은 무엇을 어덧느냐｣ -
한국문학논총
2005 .01
-
近代 Ⅰ (1876~)
역사학보
1999 .09
-
最近世
역사학보
1987 .12
-
近代Ⅱ(1910~1945)
역사학보
2004 .09
-
近代 Ⅱ (1910~)
역사학보
2000 .09
-
近代 Ⅰ (1876~1910)
역사학보
2001 .09
-
近代 Ⅱ (1910~1945)
역사학보
2001 .09
-
近代Ⅰ(1876~1910)
역사학보
2004 .09
-
近代 Ⅱ (1910~)
역사학보
1999 .09
-
最近世
역사학보
1984 .12
-
近代 Ⅱ(1910~1945)
역사학보
2002 .09
-
最近世
역사학보
1990 .12
-
近代 Ⅰ(1876~)
역사학보
2000 .09
-
最近世(開港~)
역사학보
1996 .12
-
最近世(開港~)
역사학보
1993 .12
-
근대의 성립과 '연애'의 발견 - 1920년대 문학에 나타난 '처녀성' 성립과정을 중심으로 -
한국현대문학연구
2005 .12
-
I Love You
Korea Journal
1986 .07
-
나도향 소설에 나타난 '참사랑'의 모색 과정 고찰
한국현대문학연구
2005 .12
-
Modern Korean Novels
Korea Journal
1970 .06
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-810-014538079