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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국현대영미드라마학회 현대영미드라마 현대영미드라마 제9호
발행연도
1998.10
수록면
5 - 28 (24page)

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초록· 키워드

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The comic invention of serious idea is the characteristic feature of Stoppard's plays. The philosophical, metaphysical questions in his high comedies have surprised and interested the audience. Then in a TV film about the Polish free independent trade union Solidarity, Squaring the Circle, which has more political theme and more conventional audience, what's the dramatic method?
One of the most interesting devices of this play is the distance-making by Narrator. This narrator also acts the writer himself. He presents events and raises questions, and then recomposes the scenes of the events. The Party leaders such as Brezhnev, Gierek, Kania, and Jaruzelski are caricatured, not real. The Narrator, the caricatured characters, the parodied scenes, and the comic properties all give psychological detachment, aiming disinterested judgment.
Through the scene placement the playwright tries to prove that from the beginning the Polish United Workers' Party had the plan to suppress the Solidarity movement with troops. The Party leaders repeatedly break their promises and threaten the union with the Russian power, and they behave like Mafia gangsters. The parallelled scenes made up of same characters and different costume and mood intend to reveal the truth behind the facts.
This play for a film also uses the devices to enlarge the film effect. They include the big scenes such as sea, mass meetings and the shipyard, the shooting angle, close-up and frame, voice over, the visualization, and the speedy scene-linking. The medium of TV film serves the documentary material and the educational aim of this play.

목차

Ⅰ. 서론
Ⅱ. 극적 기법(dramatic method)
Ⅲ. 구성
Ⅳ. 영화적 효과(Film Effect)
Ⅴ. 결론
인용문헌
Abstract

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