지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The comic invention of serious idea is the characteristic feature of Stoppard's plays. The philosophical, metaphysical questions in his high comedies have surprised and interested the audience. Then in a TV film about the Polish free independent trade union Solidarity, Squaring the Circle, which has more political theme and more conventional audience, what's the dramatic method?
One of the most interesting devices of this play is the distance-making by Narrator. This narrator also acts the writer himself. He presents events and raises questions, and then recomposes the scenes of the events. The Party leaders such as Brezhnev, Gierek, Kania, and Jaruzelski are caricatured, not real. The Narrator, the caricatured characters, the parodied scenes, and the comic properties all give psychological detachment, aiming disinterested judgment.
Through the scene placement the playwright tries to prove that from the beginning the Polish United Workers' Party had the plan to suppress the Solidarity movement with troops. The Party leaders repeatedly break their promises and threaten the union with the Russian power, and they behave like Mafia gangsters. The parallelled scenes made up of same characters and different costume and mood intend to reveal the truth behind the facts.
This play for a film also uses the devices to enlarge the film effect. They include the big scenes such as sea, mass meetings and the shipyard, the shooting angle, close-up and frame, voice over, the visualization, and the speedy scene-linking. The medium of TV film serves the documentary material and the educational aim of this play.
One of the most interesting devices of this play is the distance-making by Narrator. This narrator also acts the writer himself. He presents events and raises questions, and then recomposes the scenes of the events. The Party leaders such as Brezhnev, Gierek, Kania, and Jaruzelski are caricatured, not real. The Narrator, the caricatured characters, the parodied scenes, and the comic properties all give psychological detachment, aiming disinterested judgment.
Through the scene placement the playwright tries to prove that from the beginning the Polish United Workers' Party had the plan to suppress the Solidarity movement with troops. The Party leaders repeatedly break their promises and threaten the union with the Russian power, and they behave like Mafia gangsters. The parallelled scenes made up of same characters and different costume and mood intend to reveal the truth behind the facts.
This play for a film also uses the devices to enlarge the film effect. They include the big scenes such as sea, mass meetings and the shipyard, the shooting angle, close-up and frame, voice over, the visualization, and the speedy scene-linking. The medium of TV film serves the documentary material and the educational aim of this play.
목차
Ⅰ. 서론
Ⅱ. 극적 기법(dramatic method)
Ⅲ. 구성
Ⅳ. 영화적 효과(Film Effect)
Ⅴ. 결론
인용문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
톰 스토파드의 메타드라마와 극적 재현의 문제 : The Real Thing의 경우
현대영미드라마
2003 .08
-
스토파드의 셰익스피어 다시 쓰기/읽기
영어영문학연구
2006 .01
-
Tom Stoppard의 The Real Thing에 나타난 실제와 허구의 대비
인문학연구
2006 .02
-
톰 스토파드의 동구권 소재 극작품에 나타난 정치성과 연극적 형상화
현대영미드라마
2012 .12
-
Polyphonic Re-telling of Russian Thinkers in Stoppard's Voyage
현대영미드라마
2009 .08
-
James Joyce Vindicated in Tom Stoppard's Travesties
현대영미드라마
2007 .12
-
스토파드 초기 극의 역사적 맥락 분석 : 60년대 70년대 영국 연극 동향과 비교하여
현대영미드라마
2012 .12
-
Textual and Verbal Playfulness in Stoppard's Travesties : Mise-en-abyme as a Foregrounding Device
현대영미드라마
2011 .04
-
Tom Stoppard의 Arcadia에 나타난 대조와 혼돈의 미학
현대영미드라마
1998 .10
-
Tom Stoppard의 Hapgood과 포스트뉴튼적 인식론의 가능성
현대영미드라마
1999 .11
-
『계단에서 떨어지는 예술가』에 나타난 패러디 연구
영어영문학연구
2004 .01
-
Remembering to Forget: Fragile Memories in Tennessee Williams’s The Glass Menagerie
현대영미드라마
2019 .12
-
톰 스토파드의 ‘사이’ 공간의 무대 미학: 『로젠크란츠와 길던스턴은 죽었다』를 중심으로
영어영문학연구
2007 .01
-
『진짜 사랑이란?』: 해체의 미학
신영어영문학
2004 .08
-
『진짜』: 변형적교류와 상호텍스트성
영어영문학연구
2008 .01
-
스토파드의 『사랑의 발명』 : 과거 재현과 현대적 재해석
신영어영문학
2009 .08
-
<장군의 수염> (이성구, 1968) : 과잉의 형식과 지연의 구조
어문학
2016 .09
-
Tom Stoppard의 Hapgood : 스파이 스릴러와 양자역학의 결합
현대영미드라마
2001 .04
이 논문의 저자 정보
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-842-015563876