지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
Edward Bond deals with the problem of injustice, which trivializes human relationships, and produces hysteria and violence, in terms of racial discrimination and economic interests in his plays Grandma Faust, The Swing and Stone.
In Grandma Faust and The Swing which analyzes the values that inform American society, Bond employs "aggro-effect" which emotionally commits the audience, unlike Brecht's alienation effect. In Grandma Faust the seriousness of racial segregation is compared to an auction and a wrestling match. The audience participates in the comic ritual with the audience in the play. Both groups become one foolish mass joining a burlesque. The technique of "a play within a play" and comic parody of serious issues give the audience an emotional commitment as well as critical detachment. With these techniques the author's fury on the racial segregation is effectively dramatized.
The Swing is one of the most appalling of Bond's plays, and one of his very best. Bond uses a historical incident to analyse American racism (The Swing is subtitled "A Documentary"). The most terrible act of violence done in the play is to crush an innocent person publicly and proudly. This shocks and moves so deeply because the whole weight of a society's morality has been completely mobilized. The conflict between historical fact and dramatic fiction as well as the historical spectators (the audience in the play) sitting with the real audience makes the real audience participate in the historical ritual of the mass hysteria, letting the audience recognize their potential for socially-approved violence and responsibility. During the performance of the play the effective combination of epic technique's alienation effect and grotesque humor keeps unfailing tension between critical detachment and emotional involvement.
Stone is a moral parable of the frustration and revolt of an underprivileged in the society of materialism. The conflict between the established system and the low class is the theme of the play. The play is quite Brechtian in that its structure is episodic and the play employs several songs. Instead of the comedy in Grandma Faust, and the grotesque humor in The Swing, the fury against the system explodes unemotionally through the action of Man killing Mason, the symbol of the system. The audience as the only and sole observers, unlike the two former plays, participate in the solemn ritual of killing Mason. The author, who criticized the vicious circle of violence including violence and counter-violence, is frustrated with the obsolete and unchanging Establishment which absolutely takes sides with the privileged. His fury against the system is dramatized in the symbolic act of Man, through which Bond appeals to the audience the need of the change of the system.
In Grandma Faust and The Swing which analyzes the values that inform American society, Bond employs "aggro-effect" which emotionally commits the audience, unlike Brecht's alienation effect. In Grandma Faust the seriousness of racial segregation is compared to an auction and a wrestling match. The audience participates in the comic ritual with the audience in the play. Both groups become one foolish mass joining a burlesque. The technique of "a play within a play" and comic parody of serious issues give the audience an emotional commitment as well as critical detachment. With these techniques the author's fury on the racial segregation is effectively dramatized.
The Swing is one of the most appalling of Bond's plays, and one of his very best. Bond uses a historical incident to analyse American racism (The Swing is subtitled "A Documentary"). The most terrible act of violence done in the play is to crush an innocent person publicly and proudly. This shocks and moves so deeply because the whole weight of a society's morality has been completely mobilized. The conflict between historical fact and dramatic fiction as well as the historical spectators (the audience in the play) sitting with the real audience makes the real audience participate in the historical ritual of the mass hysteria, letting the audience recognize their potential for socially-approved violence and responsibility. During the performance of the play the effective combination of epic technique's alienation effect and grotesque humor keeps unfailing tension between critical detachment and emotional involvement.
Stone is a moral parable of the frustration and revolt of an underprivileged in the society of materialism. The conflict between the established system and the low class is the theme of the play. The play is quite Brechtian in that its structure is episodic and the play employs several songs. Instead of the comedy in Grandma Faust, and the grotesque humor in The Swing, the fury against the system explodes unemotionally through the action of Man killing Mason, the symbol of the system. The audience as the only and sole observers, unlike the two former plays, participate in the solemn ritual of killing Mason. The author, who criticized the vicious circle of violence including violence and counter-violence, is frustrated with the obsolete and unchanging Establishment which absolutely takes sides with the privileged. His fury against the system is dramatized in the symbolic act of Man, through which Bond appeals to the audience the need of the change of the system.
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
『자에는 자로』에 나타난 관객 반응 연구
Shakespeare Review
2008 .12
-
관객반응을 위한 현대 극작가의 예술적 의식과 기법
현대영미드라마
2000 .04
-
공격 효과를 통해 관객의 의식에 접근하기 : 에드워드 본드의 『이른 아침』을 중심으로
새한영어영문학
2002 .06
-
Theatre of the Audience : English Early Modern Theatre and Korean Ground Theatre
동서비교문학저널
2009 .12
-
극중극으로서의 역할 놀이: 십이야의 비올라와 말보리오의 경우
고전 르네상스 영문학
2007 .01
-
파우스트와 역사세계의 관계 : 괴테의 『파우스트. 비극 제2부』를 중심으로
외국문학연구
2004 .11
-
소쿠로프 감독의 영화 『파우스트』에 관한 고찰
슬라브학보
2014 .12
-
그네 타는 ‘현장’과 그네타기 ‘운동’의 성 상징성
실천민속학연구
2006 .06
-
Twentieth-Century Western Drama : Its Religious Thrust And Multi-Cultural Audiences
현대영미드라마
2004 .04
-
「괴테의 종교적 견해」 : “Faust”를 중심으로
독일학연구
1988 .12
-
셰익스피어 공연에서의 수행적 실험과 포스트모던적 현대성 —제의적 수행에서 관객이 ‘쓰는’ 놀이적 수행까지
고전 르네상스 영문학
2010 .01
-
Buried Child에 나타난 제의와 폭력
현대영미드라마
2004 .12
-
이아고의 극에 잠식된 극중 관객 오셀로
고전 르네상스 영문학
2009 .01
-
"아주 의심스러운""옛 이야기" : 『페리클레스』와『겨울 이야기』에서의 생소화 효과
Shakespeare Review
2012 .03
-
고려 元宗·忠烈王대의 親朝외교
한국사연구
2017 .06
-
연극으로서의 텍스트—ꡔ난 아니야ꡕ
영어영문학21
2006 .01
-
괴테의 「Faust」劇은 과연 悲劇인가?
독일학연구
1991 .12
-
Violence and Commitment in Edward Bond’s Lear
현대영미드라마
2020 .04
이 논문의 저자 정보
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-842-015564535