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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2005.12
- 수록면
- 5 - 28 (24page)
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초록· 키워드
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Blake's anti-imperialism is revealed through his views on aspects of industrialized labor, which pervades virtually all his prophetic poems. Blake's theme of pursuing individual freedom from industrialized and alienated labor is especially evident in his poems: The Four Zoas, Milton, Jerusalem, and especially in Marriage of Heaven and Hell. Blake, as an opponent of radical social consciousness, pursued 'a way of life without oppression' against the imperial order of an oppressed society in which "two classes of men are upon earth"(S116). The alienated labor imagery suggests a way of existence under enforced labor and division of labor, which are two aspects of industrialization that cause a corrupted Urizenic society where individual imagination and creative labor are excluded from established values. Like other radicals, Blake believed that individual energy is free from industrialized labor and the forces of imperial authority.
Blake's poetics, passive acceptance of established values was evil and active opposition to profit-oriented materialistic imperialism was great. In The Four Zoas, Blake criticizes the imperialistic ideology of passivity prevalent in a Urizenic world, which is a fallen imperial world using repression to prevent the fulfillment of creative human potential. Blake's poetic tactic to defeat the imperial order is to convert the superficial industrial structure into energetic artistic life by emphasis on creative labor. Blake's prophetic poems become a new way of examining labor as 'a way of life without oppression.'
The alternative to overcoming a Urizenic society is to unearth aspects of creative labor for human fulfillment from his prophetic works. Jerusalem is a celebration of the active imagination in opposition to the imperialistic order. Blake's anti-imperialism is represented by such poetic phrases as "a new heaven is begun" and a "New Jerusalem." Los, a poet of Jerusalem, toils in hope as a humble worker in the furnaces day and night "to open the eternal world"(S636). A poet's creative labor becomes the redemptive power for recovering "all deities in the human breast"(S111). Blake believes that the attributes of divinity are redefined through the imagination, and only by pursuing anti-imperialism in our existence, can the potential of the imagination function effectively.
Blake's poetics, passive acceptance of established values was evil and active opposition to profit-oriented materialistic imperialism was great. In The Four Zoas, Blake criticizes the imperialistic ideology of passivity prevalent in a Urizenic world, which is a fallen imperial world using repression to prevent the fulfillment of creative human potential. Blake's poetic tactic to defeat the imperial order is to convert the superficial industrial structure into energetic artistic life by emphasis on creative labor. Blake's prophetic poems become a new way of examining labor as 'a way of life without oppression.'
The alternative to overcoming a Urizenic society is to unearth aspects of creative labor for human fulfillment from his prophetic works. Jerusalem is a celebration of the active imagination in opposition to the imperialistic order. Blake's anti-imperialism is represented by such poetic phrases as "a new heaven is begun" and a "New Jerusalem." Los, a poet of Jerusalem, toils in hope as a humble worker in the furnaces day and night "to open the eternal world"(S636). A poet's creative labor becomes the redemptive power for recovering "all deities in the human breast"(S111). Blake believes that the attributes of divinity are redefined through the imagination, and only by pursuing anti-imperialism in our existence, can the potential of the imagination function effectively.
목차
Ⅰ. 시작하는 말
Ⅱ. 블레이크의 유리즌과 제국주의
Ⅲ. 적극적인 생산자와 창조적 노동
Ⅳ. 맺는 말
인용문헌
Abstract
참고문헌 (19)
참고문헌 신청
강옥선 , 2004 , 블레이크와 작은 천국 , 서울: 도서출판 동인
여건종 , 2005 , 일상적 삶의 상징적 창조성: 윌리암 모리스의 문화연구 , 19세기 영어권 문학 9 (1) : 89 ~ 111
Crafton, Lisa Plummer , 1990 , The Strange Altering Eye: Patterns of Creative Perception in Wordsworth's and Blake's Lyrics , Ann Arbor: UMI
Crehan, Stewart , 1987 , Producers and Devourers (William Blake's The Marriage of Heaven and Hell) , New York: Chelsea : 83 ~ 101
Damon, Foster , 1979 , A Blake Dictionary , Boulder: Shambhala
여건종 , 2005 , 일상적 삶의 상징적 창조성: 윌리암 모리스의 문화연구 , 19세기 영어권 문학 9 (1) : 89 ~ 111
Crafton, Lisa Plummer , 1990 , The Strange Altering Eye: Patterns of Creative Perception in Wordsworth's and Blake's Lyrics , Ann Arbor: UMI
Crehan, Stewart , 1987 , Producers and Devourers (William Blake's The Marriage of Heaven and Hell) , New York: Chelsea : 83 ~ 101
Damon, Foster , 1979 , A Blake Dictionary , Boulder: Shambhala
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