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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Constable is considered as the most renowned naturalist landscape painter of the 19th century Englands. Many researchers such as Michael Rosenthal, Ann Birmingham, Leslie Parris and Ian fleming-Williams, regard Constable as a naturalist. They acknowledge that the early and later years of Constable’ s art show the taste of picturesque. But they evaluate the middle period of the painter from about 1810 to the middle of 1820’ s only as naturalistic. Such a view, I think, is due to their intention to examine Constalbe’ s art under the tradition of European landscape painting till his time.
This study is an attempt to show that the Constable’ s landscapes through all periods of his life could be interpreted both as naturalistic and picturesque. At first the fact, that his early and late landscapes have more picturesque qualities than the middle period’ s can be interpreted as an indication that he had maintained the taste of picturesque through the whole of his life, although he had at the same time the strong inclination to naturalism. In Constable’ s art naturalism and the picturesque character are not the confronting element but rather the element that coexist without conflicting each other.
Constable’ s artistic activity continued over 30 years of the early 19th century. The 18th century England experienced changes and developments in every domain of life, both in real and spiritual life and in artistic circumstances. The blossoming of landscapes and the vogue of picturesque during this time can be seen as the reflection of the period. It reveals the changing attitudes of man to nature. In theories of art and aesthetics the concept of beauty alone was not enough to take the role to chracterize man’ s attitude to nature. The concepts such as the sublime and the picturesque were in formation. It reflects the speedy and successive change from neo-classicism to naturalism and romanticism.
In this research I will treat Constable’ s landscapes in three categories according to the different feature of his works, which also corresponds with his chronology : 1) ‘Natural Painture’ (1802-1814), 2) Picturesque Naturalism(1814-1823), 3) ‘Romantic’ Picturesque Naturalism(1824-1837). Such a division is based on several factors; motiv, working method, artistic forrnCbrushing, color, material etc,) and attitude to nature.
The artistic quality in Constable’ s landscapes shows the avant-garde charcter, which demonstrates artist’ s ability of perceiving the changing time in advance and leading the trends of the coming years. He revived ‘naturalistic’ quality of the picturesque to his new naturalism and retained it till the period of his ‘romantic’ expression of later years. It can be concluded that his later period cannot be regarded as the escape from naturalism. Rather the works of this period can be interpreted as showing his deep feeling to and love of nature and man.
This study is an attempt to show that the Constable’ s landscapes through all periods of his life could be interpreted both as naturalistic and picturesque. At first the fact, that his early and late landscapes have more picturesque qualities than the middle period’ s can be interpreted as an indication that he had maintained the taste of picturesque through the whole of his life, although he had at the same time the strong inclination to naturalism. In Constable’ s art naturalism and the picturesque character are not the confronting element but rather the element that coexist without conflicting each other.
Constable’ s artistic activity continued over 30 years of the early 19th century. The 18th century England experienced changes and developments in every domain of life, both in real and spiritual life and in artistic circumstances. The blossoming of landscapes and the vogue of picturesque during this time can be seen as the reflection of the period. It reveals the changing attitudes of man to nature. In theories of art and aesthetics the concept of beauty alone was not enough to take the role to chracterize man’ s attitude to nature. The concepts such as the sublime and the picturesque were in formation. It reflects the speedy and successive change from neo-classicism to naturalism and romanticism.
In this research I will treat Constable’ s landscapes in three categories according to the different feature of his works, which also corresponds with his chronology : 1) ‘Natural Painture’ (1802-1814), 2) Picturesque Naturalism(1814-1823), 3) ‘Romantic’ Picturesque Naturalism(1824-1837). Such a division is based on several factors; motiv, working method, artistic forrnCbrushing, color, material etc,) and attitude to nature.
The artistic quality in Constable’ s landscapes shows the avant-garde charcter, which demonstrates artist’ s ability of perceiving the changing time in advance and leading the trends of the coming years. He revived ‘naturalistic’ quality of the picturesque to his new naturalism and retained it till the period of his ‘romantic’ expression of later years. It can be concluded that his later period cannot be regarded as the escape from naturalism. Rather the works of this period can be interpreted as showing his deep feeling to and love of nature and man.
목차
1. 머리글: 픽처레스크 취미와 자연주의
2. 자연적인 회화(Natural Painture)와 픽처레스크: 1802-1814
3. 픽처레스크 자연주의: 1814-1823
4. ‘낭만적’ 픽처레스크 자연주의: 1824-1837
5. 맺음말: 픽처레스크 자연주의 풍경화와 현대적 감각
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UCI(KEPA) : I410-ECN-0101-2009-609-017289487