지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
There have been many styles of classic Sijo concerning Confucianism. For example, the teaching of Confucian decorum Sijo, the Sijo concerning the study of Confucianism and the eulogistic Sijo. In this research paper, I focus on the eulogistic classic Sijo. The classic Sijo is a main literary genre which was created by the upper-class in the late Koryo dynasty, and which developed greatly during the Chosun dynasty. The authors of the classic Sijo liked to express their feelings concerning aspects of daily life, such as the eulogistic thinking in regard to the king and the common people. I look at the authors and the works of the eulogistic classic Sijo in order to explore the relationship between Sijo and eulogy.
First, I discuss the character of the authors in respect to their class and the time in which they lived. There have been several authors each century: two in the fifteenth century, six in the sixteenth, nineteen in the seventeenth, fifteen in the eighteenth, and ten in the nineteenth. The reason why the least authors appeared in the fifteenth century is that Sijo was not so popular at that time. In the seventeenth century many authors composed Sijo because the upper-class was very powerful in the society of that time. The experts in composing Sijo were also quite active in the eighteenth and nineteenth centuries.
Both upper and middle-class authors composed the eulogistic classic Sijo: the upper-class from the fifteenth to the seventeenth century, and both upper and middle-class authors during the eighteenth and nineteenth centuries.
Next, I focus on the character of the eulogistic classic Sijo. In respect to the poetic object, the monarch had been the only object of the eulogistic classic Sijo from the fifteenth to the sixteenth century. But in the seventeenth century, the common people started to appear as new objects of the eulogistic classic Sijo for the first time in classic Sijo history. So the monarch and the common people together played a role as poetic objects of the eulogistic classic Sijo. From the eighteenth to the nineteenth century, the common people appeared as objects of the eulogistic classic Sijo more so than the monarch did.
Finally, I focus on the purpose of the eulogy. From the fifteenth century to the sixteenth century the purpose of eulogizing the monarch was consistent with the original intention of the eulogy. But from the seventeenth century to the nineteenth century, the purpose of the eulogy on a superficial level differed from the original intention. During this time, in the case of eulogizing the common people the purposes of the eulogy varied according to the different characters of people, such as men in political power, Confucian scholars, sagacious people, filial people, etc.
First, I discuss the character of the authors in respect to their class and the time in which they lived. There have been several authors each century: two in the fifteenth century, six in the sixteenth, nineteen in the seventeenth, fifteen in the eighteenth, and ten in the nineteenth. The reason why the least authors appeared in the fifteenth century is that Sijo was not so popular at that time. In the seventeenth century many authors composed Sijo because the upper-class was very powerful in the society of that time. The experts in composing Sijo were also quite active in the eighteenth and nineteenth centuries.
Both upper and middle-class authors composed the eulogistic classic Sijo: the upper-class from the fifteenth to the seventeenth century, and both upper and middle-class authors during the eighteenth and nineteenth centuries.
Next, I focus on the character of the eulogistic classic Sijo. In respect to the poetic object, the monarch had been the only object of the eulogistic classic Sijo from the fifteenth to the sixteenth century. But in the seventeenth century, the common people started to appear as new objects of the eulogistic classic Sijo for the first time in classic Sijo history. So the monarch and the common people together played a role as poetic objects of the eulogistic classic Sijo. From the eighteenth to the nineteenth century, the common people appeared as objects of the eulogistic classic Sijo more so than the monarch did.
Finally, I focus on the purpose of the eulogy. From the fifteenth century to the sixteenth century the purpose of eulogizing the monarch was consistent with the original intention of the eulogy. But from the seventeenth century to the nineteenth century, the purpose of the eulogy on a superficial level differed from the original intention. During this time, in the case of eulogizing the common people the purposes of the eulogy varied according to the different characters of people, such as men in political power, Confucian scholars, sagacious people, filial people, etc.
목차
1. 서론
2. 송도적 시조 작가의 성격
3. 송도적 시조 작품의 성격
4. 결론
참고문헌
[Abstract]
참고문헌 (17)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
Nature of Classic Sijo
Korea Journal
1964 .04
-
Sijo
Korea Journal
1979 .04
-
Sijo
Korea Journal
1978 .06
-
Sijo
Korea Journal
1982 .08
-
Sijo
Korea Journal
1979 .03
-
Sijo
Korea Journal
1983 .11
-
Sijo
Korea Journal
1978 .06
-
Sijo
Korea Journal
1982 .04
-
Sijo
Korea Journal
1982 .02
-
sijo
Korea Journal
1978 .05
-
Sijo
Korea Journal
1979 .05
-
Sijo
Korea Journal
1977 .09
-
Nine Sijo
Korea Journal
1971 .08
-
Sijo
Korea Journal
1983 .11
-
Sijo
Korea Journal
1978 .05
-
Sijo
Korea Journal
1980 .06
-
Sijo
Korea Journal
1979 .04
-
Sijo
Korea Journal
1977 .09
-
Sijo
Korea Journal
1979 .05
-
Sijo
Korea Journal
1978 .06
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-810-016768037