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초록· 키워드
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This article maintains that Wordsworth, after recovering from his 'moral crisis', tries to be reborn as a nature poet by establishing the 'Myth of Nature', a kind of poetic fiction, only to fail. "Tintern Abbey" and The Prelude are the foremost examples for reading the Wordsworthian effort to establish the Myth of Nature.
In "Tintern Abbey", the poet argues that Nature provides him with such gifts as 'sensations sweet', 'feelings of unremembered pleasure', 'the blessed mood to see into the life of things', and 'a sense sublime'. He also intimates he can find the source of creative power in Nature. In other words, he tries to put a basis for the Myth of Nature. A close reading of the poem, with its mood of doubt and sadness, however, reveals that gifts of Nature are only what he wishes to have and not what he has.
In 'spots of time' in The Prelude the poet wishes to embody the Presence in Nature that he regards as the source of poetic creativity, but only to present it as Absence. Recognizing a great vacancy between what he was once and what he is now, the poet tries to unify the two consciousnesses, only to fail. He comes to accept that the Presence in Nature is a fiction, that is, a myth that he himself has made with his creative mind. But, nevertheless, declaring that his poem is 'dedicated to Nature's self, and things that teach as Nature teaches', he remains faithful to his Myth of Nature.
In "Tintern Abbey", the poet argues that Nature provides him with such gifts as 'sensations sweet', 'feelings of unremembered pleasure', 'the blessed mood to see into the life of things', and 'a sense sublime'. He also intimates he can find the source of creative power in Nature. In other words, he tries to put a basis for the Myth of Nature. A close reading of the poem, with its mood of doubt and sadness, however, reveals that gifts of Nature are only what he wishes to have and not what he has.
In 'spots of time' in The Prelude the poet wishes to embody the Presence in Nature that he regards as the source of poetic creativity, but only to present it as Absence. Recognizing a great vacancy between what he was once and what he is now, the poet tries to unify the two consciousnesses, only to fail. He comes to accept that the Presence in Nature is a fiction, that is, a myth that he himself has made with his creative mind. But, nevertheless, declaring that his poem is 'dedicated to Nature's self, and things that teach as Nature teaches', he remains faithful to his Myth of Nature.
목차
1. 위즈워스와 자연
2. 신화의 구축: 「틴턴사원」
3. ‘있음’ 혹은 ‘없음’: 『서곡』
4. 결론을 대신하여: “위낸더 소년”
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