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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Giving up the privilege of the traditional novelist-law-maker, William Faulkner effaced himself from his fiction and observed a doctrine of authorial impersonality, pretending to listen to his characters and let them tell the tale in his stead. He evaded discussing what he meant to do in his works and what he was trying to say. He regarded his characters he had created as totally separate from himself and he stripped from his novels all evidence of their author's identity.
When the author's personality is effaced, narrative structure is very important. Narrative structure is recognized both as a method of organizing subject matter and as the symbolization of theme, an expression and reflection of meaning. In a few novels of Faulkner, narrative structure directly symbolizes the theme of the novels. Especially The Sound and the Fury, As I Lay Dying, and Absalom. Absalom! can be regarded as a trilogy on narrative structure and theme. In these works, Faulkner resorted to a fragmented point of view. Several narrators show different point of view on the same event. One of the effects of their multiple points of view upon the reader is that he is prevented from identifying himself with any one narrator.
In As I Lay Dying the shifts of point of view are too frequent to permit reader's settling to a single point of view. Through their mingled voices and the anonymous voice to the community, Faulkner emphasizes the opposition between social and individual, public and private. The central situation is progressively illuminated by the light thrown upon it from a number of different viewpoints, none of them possessing final authority. Such narrative structure reflects the possibilities of the diverse and fragmented theme of the novel.
Faulkner avoids authorial intrusion. His narrators' interpretations do not always have authenticity. They merely speak, or think about the thought and action of other people in a disembodied voice. Therefore, the reader has to evaluate the character's action, morality and thought pattern with such criteria as his own knowledge, experience and common sense. The reader can find the meaning of the novel through actively participating in the narrative process as a "second narrator."
When the author's personality is effaced, narrative structure is very important. Narrative structure is recognized both as a method of organizing subject matter and as the symbolization of theme, an expression and reflection of meaning. In a few novels of Faulkner, narrative structure directly symbolizes the theme of the novels. Especially The Sound and the Fury, As I Lay Dying, and Absalom. Absalom! can be regarded as a trilogy on narrative structure and theme. In these works, Faulkner resorted to a fragmented point of view. Several narrators show different point of view on the same event. One of the effects of their multiple points of view upon the reader is that he is prevented from identifying himself with any one narrator.
In As I Lay Dying the shifts of point of view are too frequent to permit reader's settling to a single point of view. Through their mingled voices and the anonymous voice to the community, Faulkner emphasizes the opposition between social and individual, public and private. The central situation is progressively illuminated by the light thrown upon it from a number of different viewpoints, none of them possessing final authority. Such narrative structure reflects the possibilities of the diverse and fragmented theme of the novel.
Faulkner avoids authorial intrusion. His narrators' interpretations do not always have authenticity. They merely speak, or think about the thought and action of other people in a disembodied voice. Therefore, the reader has to evaluate the character's action, morality and thought pattern with such criteria as his own knowledge, experience and common sense. The reader can find the meaning of the novel through actively participating in the narrative process as a "second narrator."
목차
Ⅰ. 서론
Ⅱ. 번드런(Bundren)가의 장례여행
Ⅲ. 서술구조와 언어
Ⅳ. 시점과 시제
Ⅴ. 결론
인용문헌
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