지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Yuksa's three posthumous novels in the form of creation and translation should be understood not a writing which yielded under fascism system of Japanese imperialism much gathered momentum from the end of 1930s, but a category of so-called a 'roundabout writing' which confronted against Japanese fascism and was one type of writing of writers at those times. Through three novels, he did a 'roundabout writing' which was different from poetry. Under Japanese political suppression, his writing was his suffering product of literary expression in which he could not neglect and directly confront dismal reality in colony. He stared at the dark side of colonial modem period and tried to make his way through his practical intention.
I reviewed his two novels in translation. Through Nosin's 〈Kohyang〉(고향), Yuksa expressed meaningful context having his frequent 'escaping hometown-leaving road' in the form of a roundabout writing. Being not content with life of Japanese colonial system, it was roundabout expression about his 'escaping hometown-leaving road' toward an anti-Japanese independence movement for overcoming colonial system and also expressed his intention for making the road newly. Through Kojeong's 〈Golmokan〉(골목안) he caught sharply the dark side of colonial modern period through Chinese's miserable reality happened inside of the alley in Manchu. Staring at Chinese's miserable reality of colonial modem period in Manchu, he did not neglect the exposure of the dark side of modem period in which Japanese's suppression and plunder toward Chosun in the end of Japanese colony was much more extreme. In other words, by bringing out the darkness of Japanese colonial modern period, he revealed indirectly the problem having its suppressive modem period.
Next, I examined his only creative novel 〈HwangYeupJeon〉(황엽전). Even though 〈HwangYeupJeon〉(황엽전) was immature in the form with the view of modern novel, its immaturity was the unique descriptive value. Therefore as the form of modem love, disillusive attitude of existence, which did not establish whole image of modern subject, tried to express indirectly was the right existence of ghost and it revealed indirectly daily suppression of colonial modern period through the narration of love and separation in which colonists could not take a position as the modem subject. Moreover through the dream of ghost, the dark reality of colonists experiencing all kinds of pain under the fascism system and the passion and intention toward the life of newborn which tried to overcome its reality were expressed in the form of a roundabout writing.
I reviewed his two novels in translation. Through Nosin's 〈Kohyang〉(고향), Yuksa expressed meaningful context having his frequent 'escaping hometown-leaving road' in the form of a roundabout writing. Being not content with life of Japanese colonial system, it was roundabout expression about his 'escaping hometown-leaving road' toward an anti-Japanese independence movement for overcoming colonial system and also expressed his intention for making the road newly. Through Kojeong's 〈Golmokan〉(골목안) he caught sharply the dark side of colonial modern period through Chinese's miserable reality happened inside of the alley in Manchu. Staring at Chinese's miserable reality of colonial modem period in Manchu, he did not neglect the exposure of the dark side of modem period in which Japanese's suppression and plunder toward Chosun in the end of Japanese colony was much more extreme. In other words, by bringing out the darkness of Japanese colonial modern period, he revealed indirectly the problem having its suppressive modem period.
Next, I examined his only creative novel 〈HwangYeupJeon〉(황엽전). Even though 〈HwangYeupJeon〉(황엽전) was immature in the form with the view of modern novel, its immaturity was the unique descriptive value. Therefore as the form of modem love, disillusive attitude of existence, which did not establish whole image of modern subject, tried to express indirectly was the right existence of ghost and it revealed indirectly daily suppression of colonial modern period through the narration of love and separation in which colonists could not take a position as the modem subject. Moreover through the dream of ghost, the dark reality of colonists experiencing all kinds of pain under the fascism system and the passion and intention toward the life of newborn which tried to overcome its reality were expressed in the form of a roundabout writing.
목차
1. 문제인식: 육사의 소설에 대한 논의를 위해
2. 육사의 번역소설과 ‘우회적 글스기’의 양상
3. 식민체제의 근대적 일상의 억압과 ‘우회적 글쓰기’ : 육사의 창작소설 「황엽전」
4. 맺음말
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