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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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The movie versions of Hemingway's novels has been often disappointing at best and horrible at worst. As a visual medium, film relies often too much on what is above the surface, and a writer of great, yet subtle, textual ability such as Hemingway would not transfer mediums well. Except this fundamental problem, further hindering adaptations of Hemingway's novels was the narrow-sightedness of studio executives who insisted on formulaic plots and pat resolutions, and a fickle public and callow screenwriters. The requirement that any difficulty be resolved for the audience damned every adaptation of America's greatest twentieth-century novelist.
In A Farewell to Arms (1932), like so many other virtually identical movies of the early thirties, Fredric is a conventional Hollywood romantic lead in this movie. None of the internal conflict that he experiences in the novel makes it into the film. To Have and Have Not (1944) is a seeming sequel to 1943's Casablanca to catch the Casablanca lightning in a bottle for a second time. Hollywood molded Hemingway's great, textually deep, "The Short Happy Life of Francis Macomber" into a proscribed romance, The Macomber Affair (1947). The Hollywood version of Hemingway's seminal novel The Sun Also Rises (1957), eliminating the fact that the characters are damaged more internally than externally and thus removing the ultimate conflict in the novel, the characters against themselves, transforms into a rather mediocre romantic movie.
In A Farewell to Arms (1932), like so many other virtually identical movies of the early thirties, Fredric is a conventional Hollywood romantic lead in this movie. None of the internal conflict that he experiences in the novel makes it into the film. To Have and Have Not (1944) is a seeming sequel to 1943's Casablanca to catch the Casablanca lightning in a bottle for a second time. Hollywood molded Hemingway's great, textually deep, "The Short Happy Life of Francis Macomber" into a proscribed romance, The Macomber Affair (1947). The Hollywood version of Hemingway's seminal novel The Sun Also Rises (1957), eliminating the fact that the characters are damaged more internally than externally and thus removing the ultimate conflict in the novel, the characters against themselves, transforms into a rather mediocre romantic movie.
목차
Ⅰ.
Ⅱ. A Farewell to Arms (1932)
Ⅲ. To Have and Have Not (1944)
Ⅳ. The Macomber Affair (1947)
Ⅴ. The Sun Also Rises (1957)
Works Cited
〈Abstract〉
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