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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2003.3
- 수록면
- 103 - 126 (24page)
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In Antony and Cleopatra it is quite interesting to convey a psychoanalytic view of conflicting judgements between desire and morality, or Id and Superego. Antony and Cleopatra are tackling with the themes-self and identity, reality and ideology-throughout their actions. Their mental dilemma in connection with their surrounding circumstances has extended through their meditation and described the fruit of their repeated thinking in struggling for their achievements of desire.
Antony is largely concerned with Cleopatra relieving himself from the nightmare of his unexpected disaster in Rome. There is the view, with which the play opens, of those who speak badly of Antony's stay with Cleopatra in Egypt. But the lustful attitude, Antony is attached to, is strongly represented in the play, and there are repeated references to 'lascivious wassails,' 'the amorous surfeiter,' 'salt Cleopatra,' 'the adulterous Antony' who shows his potential attitude toward his private life.
Antony and Cleopatra is an account of conflicting story in terms of the World and the Flesh, Rome and Egypt, the two great contraries that maintain and destroy each other, considered apart from any other people that might stand over against them. If readers find, rightly, that there is something both vague and strained about all these accounts, perhaps that is because a remarkable fact about the bond between Antony and Cleopatra has been consistently overlooked. Whether the bond in question is love, or passion, or both, it is neither of these which the lovers themselves mainly bring to light when they speak of each other or of what is between them.
Antony's love has caused him considerable anguish even in the first part of the playas he tries to free himself. Octavia, though not glamorous, is presented as the ideal wife, but Cleopatra has spoiled Antony for marriage. Cleopatra strikes the messenger from Rome who tells her that Octavia has married Antony; Cleopatra suffers extremes of rage which Alexas remarks are characteristic of her.
Cleopatra's lament over the dying Antony, her statement of his greatness and bounty, have perhaps considered too heavily in the thoughts that many people have taken from the playas a whole. But the almost unbearable sadness of the last scenes is for what has not in fact been overlooked. It is, of course, one of the signs of a great writer that he can afford to evoke sympathy or even admiration for what, in his final judgement, is discarded or condemned. In Antony and Cleopatra the sense of potential passion between a man and a woman is radically expressed to its climax, and Shakespeare gives the maximum weight to an actual experience that is finally revealed with the death of both.
Antony is largely concerned with Cleopatra relieving himself from the nightmare of his unexpected disaster in Rome. There is the view, with which the play opens, of those who speak badly of Antony's stay with Cleopatra in Egypt. But the lustful attitude, Antony is attached to, is strongly represented in the play, and there are repeated references to 'lascivious wassails,' 'the amorous surfeiter,' 'salt Cleopatra,' 'the adulterous Antony' who shows his potential attitude toward his private life.
Antony and Cleopatra is an account of conflicting story in terms of the World and the Flesh, Rome and Egypt, the two great contraries that maintain and destroy each other, considered apart from any other people that might stand over against them. If readers find, rightly, that there is something both vague and strained about all these accounts, perhaps that is because a remarkable fact about the bond between Antony and Cleopatra has been consistently overlooked. Whether the bond in question is love, or passion, or both, it is neither of these which the lovers themselves mainly bring to light when they speak of each other or of what is between them.
Antony's love has caused him considerable anguish even in the first part of the playas he tries to free himself. Octavia, though not glamorous, is presented as the ideal wife, but Cleopatra has spoiled Antony for marriage. Cleopatra strikes the messenger from Rome who tells her that Octavia has married Antony; Cleopatra suffers extremes of rage which Alexas remarks are characteristic of her.
Cleopatra's lament over the dying Antony, her statement of his greatness and bounty, have perhaps considered too heavily in the thoughts that many people have taken from the playas a whole. But the almost unbearable sadness of the last scenes is for what has not in fact been overlooked. It is, of course, one of the signs of a great writer that he can afford to evoke sympathy or even admiration for what, in his final judgement, is discarded or condemned. In Antony and Cleopatra the sense of potential passion between a man and a woman is radically expressed to its climax, and Shakespeare gives the maximum weight to an actual experience that is finally revealed with the death of both.
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