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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2003.6
- 수록면
- 315 - 334 (20page)
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This study is focused on the psychoanalytical aspects of love in Romeo and Juliet which is related to the characters' desire to complete their own selves. Romeo and Juliet's love illustrates the substantial fact that the fundamental structure of love is narcissistic. This is maintained by Jacques Lacan who says the ultimate object of love is one's own ego that is organized symbolically.
Romeo's relations to Rosaline and Juliet show what attracts people is the fact it is unattainable or forbidden. Originated from the forbidden love for mother in the course of socialization, love always is the missing part out of ourselves we look for all our lives. At the bottom level of Romeo's love for Juliet, for example, there is a longing for the primeval wholeness and the healing of his dissevered nature. Through Romeo's lines Shakespeare shows Romeo's fundamental object of love is his own perfect, ideal, but fantasmatic self-image.
Romeo reveals unconsciously the fact his object of love is not Juliet as she truly is. In his love, he projects his own soul onto Juliet so that she acts as the "holy shrine" or "the sun" for him. Juliet's beauty, too, is the thrown back reflection of Romeo's desire that has been projected onto her. This explains the blindness of love. Because his final goal is his original intact self, his love overcomes any social obstacles.
By making Romeo and Juliet's love mutual, Shakespeare let each of them experience the other as a subject of lack. Their union stops the reproduction of desire, and satisfaction and peace come upon them. Shakespeare, however, does not forget to suggest the union is an illusion. Because the essential condition for the subject is lack and separation. Although the narcissistic fantasy for perfection by the union with the beloved person finally satisfies the two lovers, it costs their lives. It ends the feud between the two families by eliminating their future. Presenting the various objective facts of love in this play, Shakespeare shows that we all are subordinate to the Oedipal structure of love.
Romeo's relations to Rosaline and Juliet show what attracts people is the fact it is unattainable or forbidden. Originated from the forbidden love for mother in the course of socialization, love always is the missing part out of ourselves we look for all our lives. At the bottom level of Romeo's love for Juliet, for example, there is a longing for the primeval wholeness and the healing of his dissevered nature. Through Romeo's lines Shakespeare shows Romeo's fundamental object of love is his own perfect, ideal, but fantasmatic self-image.
Romeo reveals unconsciously the fact his object of love is not Juliet as she truly is. In his love, he projects his own soul onto Juliet so that she acts as the "holy shrine" or "the sun" for him. Juliet's beauty, too, is the thrown back reflection of Romeo's desire that has been projected onto her. This explains the blindness of love. Because his final goal is his original intact self, his love overcomes any social obstacles.
By making Romeo and Juliet's love mutual, Shakespeare let each of them experience the other as a subject of lack. Their union stops the reproduction of desire, and satisfaction and peace come upon them. Shakespeare, however, does not forget to suggest the union is an illusion. Because the essential condition for the subject is lack and separation. Although the narcissistic fantasy for perfection by the union with the beloved person finally satisfies the two lovers, it costs their lives. It ends the feud between the two families by eliminating their future. Presenting the various objective facts of love in this play, Shakespeare shows that we all are subordinate to the Oedipal structure of love.
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