메뉴 건너뛰기
소속 기관 / 학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
고객센터 ENG
주제분류

논문 기본 정보

저자정보
저널정보
한국셰익스피어학회 Shakespeare Review Shakespeare Review Vol.40 No.4
오류 신고하기

피인용 0

검색

    초록·키워드

    This paper analyzes the representation of woman in The Taming of the Shrew films directed by Sam Taylor and Franco Zeffirelli, and situates them as cultural practices within the social and cultural context. As a site of cultural struggle and change in which the female subject is constantly in the process of production and negotiation, Shakespearean films are commentaries on both Shakespeare and the 20th century culture.
    While portraying Katherina as a New Woman in the 1920s who attempts to refuse male dominance and overthrow the male world, Sam Taylor's film (1929) reproduces one of the most cherished male fantasies that women remain untamed, even in subjection. By identifying the camera eye with Katheina's, Franco Zeffirelli's film (1966) establishes her as a subject rather than object of gaze and desire. Furthermore, the film calls into question the androcentric dichotomy that defines woman either as a shrew or as an obedient wife. However, the film represents Katherina as an idealized 1960s housewife who dedicates herself to tidying up a neglected house.

    최근 본 자료 전체보기

      UCI(KEPA) : I410-ECN-0101-2010-840-003139345